More specifically, a live reading of Girth Loinhammer’s Most Exponential Adventure will be taking place as part of the brand new EGX Rezzed Fringe Theatre. For anybody unfamiliar with the story, it’s a massively interactive fantasy parody that plays out sort of like a Fighting Fantasy gamebook, but typically involves much, much more booze. I’ll read a chunk out loud (probably with funny voices – it gets hard to tell who’s who otherwise), announce the options available to the audience, and then whichever one gets the loudest cheer decides how the story will continue.
This is essentially what I’ve been doing at open mics for the past couple of years, but instead of taking place in a dingy pub somewhere, it’ll be at London’s largest games event.
If you’d like to come and get involved, Exponential Adventure will be running Thursday 4th of April at 2pm, and go on for about 45 minutes. This should allow time for at least three readings, but could stretch to as many as four or five depending on how things go on the day. We’ll be on the ground floor of the Tobacco Dock, which is probably the second most dungeon-y venue I’ve ever had for this.
Tickets are very reasonably priced for an event of this size. If you’re already near London, twenty quid gets you in all day Thursday which will let you see my show and still have a go at plenty of games. If you’re coming from farther afield, a Super Pass for the full three days is just £44.
Also, not to pile on the pressure or anything, but if nobody turns up then I will literally be standing on stage doing nothing because interactive fiction does not work without an audience. So please do share this around!
Twine offers several handy options when it comes to displaying text in particular ways. From straightforward bold or italics to more eye-catching animated effects, there are a whole range of features built right in and this tutorial will show you how to use them.
The following techniques are all very simple, but if you’ve never used Twine before then you might like to start off with this tutorial which offers a very basic introduction to it. You might also be interested in my tutorial covering how to colour text in Twine, which this one will also touch upon.
Much of this tutorial is so simple that you could probably get the hang of it simply by reading through the example piece, Snazzy Susan and the Majestic Markup. However, the tutorial below will go into slightly more detail as well as linking to other guides and resources, so if you find that you’re struggling with anything then do pop back. Continue reading
Colouring text in Twine is incredibly simple, but also incredibly useful. If you’re dealing with important information – whether that’s a particularly significant word or phrase, or a stat the player must recognise at a glance – then it helps to format it in some way that immediately sets it apart from the rest of the text on screen.
If you’re unfamiliar with Twine, you might like to familiarise yourself with it using this tutorial which will get you started in just four clicks – and possibly take a glance at some of the others in the series – but many of the following techniques will be very straightforward. If all you want to do is change the colour of specific bits of text in Twine, this tutorial will help you do just that.
In fact, this tutorial is so simple that you can probably just glance through the example story, Snazzy Susan and the Majestic Markup, which will contain most of the following information (as well as a few examples of how to style text in other ways). This post will only go into marginally more detail, but will also link to some handy external resources so do pop back if you get stuck. Continue reading
If you want to make your Twine games more interesting, there are few easier ways to do that than the (live:) macro. This thing can do as little as shuffle your random text from time to time, or as much as introduce completely new mechanics into your game. This tutorial will borrow a few ideas from others in the series, but honestly – if all you want to do is make your games a little more dynamic – it shouldn’t be too hard to follow on its own. Here are a few different methods of using (live:) to do interesting things:
Method Zero: What (live:) Actually Does
This macro behaves a little differently to (if:), (else:), (either:), etc. so I think it’s worth taking a moment just to introduce it. If you open up Twine 2 and type in (live:)[Here’s some text I want to appear live.], this is what you’ll see when you run the game:
At a glance, it’ll appear that nothing’s going on. However, what’s actually happening is that the (live:) macro is constantly refreshing that text. You just can’t tell because refreshing the text doesn’t actually do anything. It looks the same every time it shows up, so it doesn’t really matter whether it’s being re-displayed a thousand times a second or it’s displayed once and just stays there. However, the fact that this doesn’t draw attention to itself can actually be pretty useful, as you’ll see in the next step. Continue reading
This is quite a different sort of game to the things I’ve made with Twine. It’s a parser-based text adventure, meaning that instead of simply clicking links you must control it by typing things like “go north,” “take key,” and “hit shoggoth with inflatable novelty hammer.” I’ve got no idea if that last one is ever an option in the game. I’ve got no idea what’s in the game at all beyond the one room I designed, to be honest. It might be terrible! The opening text suggests that it is (and that that’s part of the fun).
It also offers quite a list of objectionable content that appears in the game, so maybe not one for the squeamish. It is cosmic horror after all!
One year ago today I released Damon L. Wakes’ WiFi Simulator 2018. But as we all know, technology moves along quickly and the innovations of yesteryear are soon left behind.
That’s why I’ve produced a brand new work of bold, hyper-realistic interactive fiction: Damon L. Wakes’ WiFi Simulator 2018 Simulator 2019. All the fun of WiFi Simulator 2018, updated and improved for 2019. Just look at this flowchart!
I hope you enjoy playing the game as much as I enjoyed making it. Which is very likely because to be honest it was a bit of a chore.
You might be wondering how there can be a Project Pandora 3 given how Project Pandora 2 ended. You might also be wondering what Project Pandora even is, and if that’s the case then I recommend starting with the first one.
That said, familiarity with the series isn’t essential and this wouldn’t be a terrible place to jump in (especially compared to Project Pandora 2, which will not even function if you haven’t played the original). My Project titles in general have always been about exploring one particular (usually fairly meta) game mechanic and how the player interacts with it, and developing an epic multi-game storyline isn’t really a big part of that.
Basically, have a quick go at the first two beforehand if you want the full experience, but don’t be afraid to get stuck in with Project Pandora 3 if you just fancy playing something vaguely sinister.
I’ve been pretty heavily focused on getting Ten Little Astronauts ready for publication recently, which might be why I never noticed that two of my interactive fiction games were on the People’s Choice shortlist for Wonderbox’s Opening Up Digital Fiction Competition.
You can play either one by clicking its icon above.
I sent in a whole bunch of games back when the competition was open for submissions, but wasn’t particularly confident in any of them making the cut. To see two in there is a real surprise, especially since these two in particular are very different in tone.
Because I discovered this pretty late on, not only has voting now closed but the winners have already been announced! Sadly neither of my games are amongst them, but there was some pretty serious competition: the winners look absolutely top notch, and I encourage you to check them out.
This is hardly the first time something I’ve worked on has been up for a prize, but it is the first time it’s happened specifically for an interactive piece that wasn’t a team project. It just goes to show that it’s usually worth taking a chance on these things even if you’re not sure what will come of it. Also, do keep an eye on Wonderbox specifically: the competition is annual so if you’d like to take a shot at it yourself then you’ll have a chance next year!
Behold! Damon L. Wakes’ Beer-on-the-Wall Simulator: a complete Twine game created using only one passage! Indulge your eyeballs with this beast of a flowchart:
Yeah. You can probably guess where this is going. Enjoy!
This year, for the first time, I’ve entered IntroComp: an interactive fiction competition for which participants submit an excerpt of a work-in-progress rather than a finished piece. It’s an unconventional idea, but fortunately I had plenty of works-in-progress to choose from so bunging something in was a no-brainer.
The rules specify that entrants can’t canvass for votes, so I’m going to play it safe and not even tell you which entry is mine! You’ll just have to read through all of them (or as many as you like) and guess* which I submitted. And vote! Voting is open until August 31st.
*It’s possible my name is in there. I don’t know. I can’t remember.
Have fun! And if you write interactive fiction yourself, do keep an eye out for next year’s event. It’s a wonderful idea and I’d love to see it get more entries next time around.