You might recall that Craft Keep VR, the virtual reality game I ended up writing for after EGX 2016, was up for a Game of the Year award at Login Vilnius a while back. Well, it’s happened again, and this time it’s through the TIGA Games Industry Awards!
This time around, Craft Keep VR is right alongside big names like Forza Horizon and Horizon: Zero Dawn. Even just in its own category – Game by a Small Studio – there’s Yooka-Laylee and The Flame in the Flood, both of which have quite a bit more clout behind them than “Small Studio” would suggest: the teams behind those include some of the people behind Banjo-Kazooie, Halo and BioShock.
I hesitate to ask people to vote in this because I’m aware fairly few will have the VR hardware necessary to actually play Craft Keep, but if you’re in a position to compare the games in the shortlist (maybe you got a go at EGX or EGX Rezzed), then here’s the page where you can vote for your favourite.
Flash Fiction Month 2017, Day 22
Challenge #10*: Write an interactive story with at least two good endings and two bad endings. It must feature a conflict between Man and Society, and must also involve a choice that hinges on equipping the right item.
In the arena, two majestic alabaster unicorns duel to the death. Their tungsten chainsaw horns ring out against one another like a swarm of killer bees in a blender.
Place bet: 3
Leave: 4 Continue reading
If you’re writing interactive fiction, you’d be hard pressed to find a better tool than Twine. It’s incredibly simple and incredibly powerful, with a reassuringly shallow learning curve. With a little know-how you can use it to create very sophisticated role-playing games, but even with no know-how at all you can jump right in and write a fully functional Choose-Your-Own-Adventure-style story. I’ve already written a tutorial that shows how you can get started in just four clicks! This one will pick up where that left off and show you how to convert your Twine story into a format that can be read on plain old paper without the aid of a computer.
I do very much recommend having a look at that first tutorial before beginning to follow this one, by the way. At least keep it open in another tab to refer to. Nothing in here is going to be particularly complicated, and if you’ve already had a fiddle around with Twine 2 then chances are you could probably follow along well enough. However, having my Getting Started in Four Clicks tutorial handy would probably save some confusion, as I’ll be referring back to it here from time to time.
In Getting Started in Four Clicks I made the case that merely by knowing how to link passages in Twine using double square brackets, you’ve got just as many options available to you as Steve Jackson and Ian Livingstone did when writing the Fighting Fantasy series back in the ’80s. However, though these simple Twine stories would in theory work perfectly well on paper, there are a few extra steps involved in converting them from Twine’s (far superior) system of hyperlinks into the (slow but printable) system of numbered passages and “Turn to…” instructions used by pen-and-paper gamebooks. Continue reading
This is an interactive story intended to illustrate the principles outlined in this tutorial post about pen-and-paper interactive fiction. A hyperlinked version of it can be found here for comparison.
Once upon a time, Penny McPaperface was writing a story in Twine. Twine let her put together a really top-notch bit of interactive fiction using simple hyperlinks mixed in with the text. However, because she wanted the story to work when inscribed on a thin slice of dead tree too, she considered writing out all the interactive options at the end of each passage so she could stick numbers next to them. Whatever should she do, she wondered?
End each passage with a list of options: 2
Naah, it’s fine. Just keep the links in the text: 3 Continue reading
Flash Fiction Month 2017, Day 6
Challenge #3: Write a piece of Gonzo Journalism with a word count that is also a Cuban Prime.
I had just lost my job, I had a gash in my leg the size of Warwickshire, and the Navy thought I owed them money. It was the perfect time to spend four straight days playing videogames.
Five days including travel.
Somehow, at some point several weeks before, I had managed to snag the very last early entry ticket to EGX, the biggest games event in the UK. I’d had vague plans to try and land a better job there, so actually the timing was pretty handy. I hopped on the train to Birmingham, arrived at a station that wasn’t on my ticket, and spent the night in a dubious hostel just across the road from some absolutely top notch graffiti of Inspector Gadget.
I set off the next day for the NEC, a building so incredibly huge that I think I’ve seen more of Birmingham inside it than out. The place is bafflingly massive—a bizarre cross between an airport and Purgatory—so rather than bother to get hold of a map, I simply followed a guy who was either dressed as a character from Fallout 4 or just super into BDSM. Handily, whichever one, he was going the same place as me. Continue reading
Dungeon Lord lovers rejoice: I’ve signed a contract for another book, and this one features none other than Girth “Meatthrust” Loinhammer himself. Just look how happy he is!
If you’re subscribed to my newsletter or a regular at the open mics I read at then you’ll have known about this for quite a while, but Aperture Editions are now on board to publish Girth Loinhammer’s Most Exponential Adventure, the massively interactive Dungeon Lord story that I’ve been working on for the past year and a half. This thing’s huge: it’s currently 150,00 words in total and it’s still not quite finished. The version available online only includes half the content. There’s a lot I’ve held back. Continue reading
Spoiler Alert is free to download in the Google Play store today! If you haven’t heard of it, this is the one-button platformer I worked on a couple of years back and it’s great, silly fun. It’s essentially Mario, but you play the game backwards, stomping crushed enemies back to life and placing coins neatly back where you found them.
Oh, and your character is a talking chilli pepper wearing a knight’s helmet.
This is actually the first time I’ve got my hands on the Android version myself, and I have to say I’m very impressed. It’s hard to say whether the differences I’ve noticed are down to the touch controls or whether Megafuzz have simply updated the game since I last had a go, but it all feels very elegant. The desktop version technically used two buttons – one to jump and one to un-unleash powerup abilities – but in the mobile version they’re condensed into a simple screen-tap. I’ve played through the entirety of World 3 now and I can’t say I miss the desktop controls at all.
My main contribution, Mr. Deathbunny, has had his boss battle more or less cut, but you can still see him in all his gross, pink shouty glory. If you’ve got an Android device, that alone should be more than enough reason to grab the free version now, though even if you miss it the price is ordinarily just 65p and I’d say that’s money well spent. The game has had overwhelmingly positive reviews and even appeared in the Humble Bundle at one point, reaching something like 83,000 people in the process.
I don’t get royalties from this, by the way: I’m just happy to have had a hand in a neat little game and want it to reach as many people as it can. So grab your free copy and tell your friends!
Back at EGX 2016 I got involved with virtual reality game Craft Keep VR. A certain portion of the game was already available in Early Access before I even heard about it but over the past few months I’ve been writing story and dialogue and gradually seeing the whole thing take form. At this point my work is done and, not only that, the finished game has just been released! You’ll need either an Oculus Rift or an HTC Vive virtual reality headset to play it, but even if you don’t have one of those knocking about I highly recommend checking out the trailer.
I got a chance to play a very nearly complete version at EGX Rezzed this year, and the experience was…strange. Amazing, but strange. I don’t have the VR equipment necessary to play this sort of thing at home, so beyond a few YouTube videos I hadn’t really seen the work in progress while I was writing. It’s quite a shock to go from “Ha ha! This’ll make for a fun bit of dialogue,” to “Oh wow! There’s the guy saying it!” with absolutely nothing in between. It would be weird if the jump were simply from page to screen, but when it’s from page to 3D people walking around in the room with you, it’s especially striking. Continue reading
It’s been quite a while since I had a new story to share online. It’s hard to be too upset about that given that it’s primarily down to some recent successes – crowdfunding Ten Little Astronauts takes up a great deal of my time, and I’m currently sorting out a contract for Girth Loinhammer’s Most Exponential Adventure with a different publisher – but still it seems like a shame.
Another factor in this (and it’s somewhat related to the whole Exponential Adventure thing) is that my work recently has taken a step away from self-contained, linear stories and towards more nebulous interactive pieces, whether I’m putting together Twine games all by myself or whether I’m approaching bigger videogame developers about the possibility of working with them. Amazing as it is to have a hand in something like Craft Keep VR, all the time I spend lining up opportunities like that is time I can’t spend knocking together a short story or chipping away at a novel. And that got me thinking: maybe I can use one of these things to tackle the other?
That’s where Project Pythias comes in.
Essentially, though Project Pythias can’t “think” as such – it doesn’t actually aim to produce anything funny or surprising – it can grasp that Captain Redundancy appears only in stories in which his presence is redundant, and that Girth Loinhammer is supposed to be intimidating but ends up being sexy, and when stories follow some sort of formula like that, it’s reasonably good at identifying and reproducing it.
It’s also still pretty buggy, by the way: you might see an occasional error message, but I’m actually really struggling to work out what’s going wrong. For the most part, you can just ignore those. However, DON’T tick the box to “prevent this page from generating additional dialogs” if it appears. Those dialogs are necessary for Twine to run.
I’m putting this out there partly as a way of offering some new stories to you guys, but as well as that I’m hoping to further refine Project Pythias‘ output. At the moment they’re essentially just outlines, but with some feedback and a few weeks’ work I think I could have this thing generating stories approaching 1,000 words. I’m not exactly going to count on it to tackle Flash Fiction Month for me, but if time is short this July I might set it loose on the ordinary days and just focus on the challenges myself. I’m already relying on automation more and more. If you don’t believe me, consider this: I’m at EGX right now! Today! This very minute, even! WordPress posted this all by itself (under my instruction, of course).
Anyway, here’s that link again. Give it a try, and tell me what you think. If everything works out, there’s a good chance Project Pythias will be producing all my short fiction by 2018.
I realise we’re halfway through March at this point, but wow is that second half packed full of things to do! If you fancy meeting me in person, you’ll have plenty of chances over the coming couple of weeks (though it helps if you’re currently in the southern half of the UK). Here’s what’s coming up, in order:
Truth is Like a Lazarus Launch
(University of Reading [Van Emden Theatre, HumSS Building], 6pm Monday 20th March)
I got my BA it the University of Reading, and after getting in touch to let them know about my recent success with Ten Little Astronauts, I was invited to submit something to this year’s Reading Creative Arts Anthology, Truth is Like a Lazarus; or, A Roof Bursting with Stars. That something is in there now, and if you turn up in the Van Emden Theatre at 6pm you’ll hopefully have the chance to hear me read it!
As an added bonus, the HumSS building is worth a visit in its own right: think “Hogwarts as imagined by M.C. Escher.” In my second year I almost missed a class because it took place on a floor I didn’t know existed. Fortunately, however, the Van Emden Theatre is up just one flight of stairs visible from the main entrance. Reading’s Whiteknights Campus is full of quirky things like this: it was very nearly declared a Site of Special Scientific Interest and has its own (obsolete) nuclear bunker. Well worth taking the time explore beforehand if you do decide to come to this event!
Winchester Comic Con
(Winchester Discovery Centre, 9am – 6pm, Saturday 25th March)
The first ever Winchester Comic Con is coming up, and I’ll be on the first ever author panel! I’m also one of the judges for the flash fiction competition, so if you fancy making a day of it then come prepared with a ≤100 word speculative fiction story. The competition is open to anybody with a ticket (which presumably you’ll need to get in there anyway, though it may be possible to pay on the door) and this is very much my kind of thing.
As you might expect from a nine-hour event, there’ll be lots going on. There’ll be guests from Harry Potter, Star Wars and Doctor Who, as well as the world’s leading Tintinologist (an expert on Tintin) Michael Farr. Also, it’s not certain at this point but I’m hoping fellow Unbound author Niall Slater will be there too.
(Tobacco Dock, London, 30th March – 1st April)
After having a really great time at EGX in September last year, I’ll be returning for EGX Rezzed at the end of the month! I say “returning” but actually this’ll be a fairly different event. For one thing it’s in London rather than Birmingham, and for another the focus is more on PC and indie titles such as Craft Keep VR, which will be on display there!
For anyone who hasn’t been following for a while, I first came across Craft Keep at EGX and, soon afterwards, ended up writing for it. That was a bit of a dream come true, really. EGX was the first games event I ever went to, and standing in the massive crowd heading in at the start of the first day, I never imagined I’d have my own work on show in the next one I went to. It was only an outside possibility even at the point I was on the train back home! I met a lot of great people at the last event (and bumped into a couple of people I’d already met at the Brighton Global Game Jam), and I’m hoping there’ll be a chance to catch up with at least some of them at this one.
As the “VR” in “Craft Keep VR” might imply, this is a virtual reality title and you’ll need a VR headset and motion controllers to play it. For most people (including me) then, an event like EGX is your main chance to give it a go. Tickets are available here, and they’re actually not too pricy considering the range of games you get to see! I gather that Rezzed will be more low-key than regular EGX – I’m not expecting to grab quite as many free T-shirts (if any) this time around – but even so you’re looking at three full days of gaming for less than the price of one current-gen console release. It’s certainly cheaper than buying an Oculus Rift or HTC Vive if you just want a go at Craft Keep VR!
And that’s it.
I’ve got a few more things planned over the last little while, quite a few of them related to Ten Little Astronauts, but none of those involve turning up places in person. Or at least, none of the ones that do really offer an opportunity to meet up with people. If you are planning to head to any of these, though – whether you’re near Reading or Winchester or fancy a trip into London for EGX – then let me know! It would be great to say hi.