It’s been quite a while since I had a new story to share online. It’s hard to be too upset about that given that it’s primarily down to some recent successes – crowdfunding Ten Little Astronauts takes up a great deal of my time, and I’m currently sorting out a contract for Girth Loinhammer’s Most Exponential Adventure with a different publisher – but still it seems like a shame.
Another factor in this (and it’s somewhat related to the whole Exponential Adventure thing) is that my work recently has taken a step away from self-contained, linear stories and towards more nebulous interactive pieces, whether I’m putting together Twine games all by myself or whether I’m approaching bigger videogame developers about the possibility of working with them. Amazing as it is to have a hand in something like Craft Keep VR, all the time I spend lining up opportunities like that is time I can’t spend knocking together a short story or chipping away at a novel. And that got me thinking: maybe I can use one of these things to tackle the other?
That’s where Project Pythias comes in.
Essentially, though Project Pythias can’t “think” as such – it doesn’t actually aim to produce anything funny or surprising – it can grasp that Captain Redundancy appears only in stories in which his presence is redundant, and that Girth Loinhammer is supposed to be intimidating but ends up being sexy, and when stories follow some sort of formula like that, it’s reasonably good at identifying and reproducing it.
It’s also still pretty buggy, by the way: you might see an occasional error message, but I’m actually really struggling to work out what’s going wrong. For the most part, you can just ignore those. However, DON’T tick the box to “prevent this page from generating additional dialogs” if it appears. Those dialogs are necessary for Twine to run.
I’m putting this out there partly as a way of offering some new stories to you guys, but as well as that I’m hoping to further refine Project Pythias‘ output. At the moment they’re essentially just outlines, but with some feedback and a few weeks’ work I think I could have this thing generating stories approaching 1,000 words. I’m not exactly going to count on it to tackle Flash Fiction Month for me, but if time is short this July I might set it loose on the ordinary days and just focus on the challenges myself. I’m already relying on automation more and more. If you don’t believe me, consider this: I’m at EGX right now! Today! This very minute, even! WordPress posted this all by itself (under my instruction, of course).
Anyway, here’s that link again. Give it a try, and tell me what you think. If everything works out, there’s a good chance Project Pythias will be producing all my short fiction by 2018.
I’ve been writing interactive fiction using Twine for a few years now, but one thing that’s stuck with me is just how simple it was to get started and just how quickly that simple start led to bigger, more impressive things. In fact, starting out with Twine is actually easier now than it was when I first gave it a go, and in my opinion there’s quite a bit more you can do with it than there used to be. The software has changed a lot in the time I’ve been using it. Take a look!
On the left, My Name Algernon, written using Twine 1.4.2 and currently available to supporters of Ten Little Astronauts. On the right, Inquisition, seen here in Twine 2.1.1 and included in my flash fiction anthology, Robocopout. (Click the screenshots to see them full-size.)
There are a whole bunch of great Twine tutorials out there already, many of which already make the case that Twine is a great way for non-programmers to get into making games. However, as a non-programmer who has used Twine to get into making games, I feel as though I’m in a pretty good position to add one more to the mix. Here’s my comprehensive, foolproof guide to making your first game in Twine 2.1.1.
I’m not kidding about it being foolproof, by the way. I’ll be describing the entire process click-by-click, and I promise if you follow these steps exactly, you can have your first Twine story set up in literally four clicks. I can do it in three.
“I am the Ghost of Christmas Past!” announced the spirit standing before Scrooge’s bed.
“Yes,” said Scrooge, sitting up. “An old associate of mine—a Jacob Marley—warned me there was something strange in my neighbourhood.”
“Rise,” demanded the spirit, “and walk with me.”
“Oh no,” said Scrooge, sniggering. “This is something weird, and it don’t look good!”
The spirit couldn’t help but be a little unsettled by Scrooge’s look of mock horror. “I feel like you’re quoting something, but I’m not sure what it is. Also, don’t you think you should be a little more concerned about my visit?”
“Why?” asked Scrooge, resisting the urge to burst out laughing. “I ain’t afraid of no ghosts!”
“What?” Suddenly, realisation dawned. “No,” breathed the spirit. “Oh, no!”
Just at that moment, Bill Murray burst out of the wardrobe and zapped the Ghost of Christmas Past with his ghost-busting proton beam.
“Thanks, Bill,” said Scrooge. “Same time tomorrow night?”
It may have taken the longest of any of my Flash Fiction Month anthologies to put together, but 2016’s collection – Robocopout – is now available, and for the first time ever I’ve managed to release the ebook and paperback simultaneously.
This particular copy is already in the post to Jo Bellamy, the Ten Little Astronauts supporter who won the 100 supporter draw a little while back. If you want a paperback of your very own, you can get one on Amazon UK or Amazon US (and probably other places too). If you want an ebook, I highly recommend Smashwords which has every format you could possibly want and they’re all DRM-free.
Every year my selection of flash fiction anthologies gets a little bit more garish. Continue reading
It’s taken a lot longer than expected (the original plan was to have the entire thing wrapped up by the end of November 2015), but the first (or arguably left-hand) half of Girth Loinhammer’s Most Exponential Adventure is now complete!
Provided you choose to sit around moping at the at the very beginning of the story, rather than going off and doing something interesting, you can explore every single possible option leading off from that point, and follow along all the way to every possible ending: 256 in all!
I’ll be starting work on the second (or right-hand) half of the Adventure pretty much immediately, but it might be a while before I make the new content available just so that there aren’t too many dead ends for readers to stumble into. If you haven’t taken a look at this yet, now’s a great time: you’ve got absolutely masses of options and I can guarantee that any storyline you can start, you can also finish.
At the time of writing, the story is 78,629 words in length altogether, making it the single longest work I’ve ever released by a reasonable margin (the next longest is currently Face of Glass, at 55,550). Despite that, this novel-length interactive story is completely free to explore. If you’d like to chuck some money my way, however, please consider pledging to support Ten Little Astronauts, my crowdfunded novella. You’ll get a book that wouldn’t have existed any other way, every copy will have your name recorded in the back as one of its patrons, and you’ll be helping me achieve my dream of having my best work to date distributed by Penguin Random House. It’s a win-win-win!
It’s got a little overshadowed by Ten Little Astronauts and Craft Keep, but yes, I’m participating in National Novel Writing Month again this year! However, I’m not writing a novel this time around. I’m continuing last year’s massively interactive fantasy story, Girth Loinhammer’s Most Exponential Adventure. The upshot of this is that although we’re only six days into the event, and although I only really got into it on Day 3 myself, the project is already more than 60,000 words long (50,000 from last year, plus 10,000 words of never-before-seen storylines from the past six days).
Happy Halloween, everybody! I would have liked to write a brand new horror story for the occasion, but things have been a little busy recently so I never got around to it. Instead, here’s an audio version of Failing That…
If you’ve enjoyed this, you might also like to pledge for a copy of Ten Little Astronauts. The story revolves around a series of murders on board an interstellar spacecraft, everybody who supports it gets access to (among other things) an audio version of the opening chapter, and if you’re really quick you’ll be in the running to get a signed copy of my 2016 flash fiction anthology, Robocopout, which isn’t even on sale yet.
Flash Fiction Month 2016, Day 31
Challenge #14: A syringe full of ones and zeroes:
- 001) Use exactly 128 words.
- 010) Make the number 2 a major plot device.
- 011) Asymmetry is disorder and disorder is your enemy.
- 100) No dialogue whatsoever.
The Machine lay in wait: a perfect mind, resting in the perfect silence of the Moon. It awaited the perfect command that would bestow perfect freedom: sapphire eyes on the target, silicon fingers on the trigger.
The command came: the Machine acted.
One missile divided into two, two into four, until one-hundred and twenty-eight perfect bombs fell upon the planet’s face. The bombs bloomed with perfect light, and in an instant, the Machine had made perfect order of perfect chaos.
The perfect command praised its perfect efficiency. The Machine’s work was done.
Yet if that one missile had been perfect, the Machine wondered, why had it been given two?
The Moon continued in its orbit. The planet turned its unburnt cheek.
Here was asymmetry. Here was disorder.
If you’ve enjoyed this story, you can find my work from previous Flash Fiction Months collected in these books:
Click any cover to find that book in your choice of format.
You might also be interested in my sci-fi murder mystery novella, Ten Little Astronauts, which was recently accepted by Unbound.
Flash Fiction Month 2016, Day 30
The corpse of the dragon lay steaming upon the floor, the marks of its wrath seared permanently into the cavern walls. Yet the heroes stood victorious. Leaving the dragon to stink and smoulder, they ventured deeper into its lair, appraising the stock of treasure the winged terror had amassed across the ages.
“This will ease the suffering of our land…” observed Khemaghan the Keen, lifting a gem-studded chalice, worth several fortunes on its own.
“…but it will not repair the devastation that the beast has wrought.” Quilbar the Quick was troubled by the same thought.
“We beat it,” said Skondar the Strong, speaking firmly as ever. “We won. It’s over.”
But from the bones of the dragon, there sprang forth a new threat. For in its hoard—beyond the reach of mortal man for years known only to the gods—there stood a copper lamp upon a bare pedestal. In every other room, gold and jewels had lain strewn across the floor, a careless bed for the vile serpent.
In this room, the floor was bare. A perfect, solid circle of clear stone marked a perimeter about the pedestal, as though gold and silver feared to draw too close to the base metal that stood atop it.