Flash Fiction Month 2018, Day 21
Challenge #10*: David Bowie Day. Write a story that begins as hard fantasy and ends as space opera. It must include five different images taken from Bowie’s song lyrics and the names of two bands in which he appeared. At least one of the characters must be iconic and the word count must correspond to the length of a track from the album Blackstar.
“Ew,” said Girth Loinhammer, putting down his stein. “That is…”
“Yeah,” agreed Sekhmet, hurriedly rubbing at her tongue. “It’s…it’s got an aftertaste.”
“I don’t understand the hype. It’s big and it’s bland.”
“Yo, bartender!” Sekhmet snapped her fingers. “What sort of mead is this?”
“That, my good…” the bartender seemed a little thrown off by the fact that Sekhmet had the head of a lioness “…lady?”
“Was it the miniskirt that gave it away?”
“Yes, well. That is the finest mead that Urmaland has seen since the winter of 409, when levies imposed by the neighbouring Fiefdom of Kirik disrupted trade agreements that had facilitated the import of the king bees necessary to—” Continue reading
We did it! Ten Little Astronauts has all the funding it needs to make it into print (and then some!). Unbound has just moved it over to the paperback list, which means it now has 131% of its target. That’s pretty incredible, and it’s all down to the people who pledged or just generally helped to get it in front of enough readers to make this happen. Continue reading
Joe Wright just sent over this absolutely fantastic Ten Little Astronauts artwork! It’s based on a scene from the novella that a very small handful of people will have heard me read at the International Agatha Christie Festival.
Chances are you’ll have come across Joe Wright’s work before, as he also produced the image I’ve been using in almost all my promotional materials for Girth Loinhammer’s Most Exponential Adventure. This one’s very different in terms of style, though:
I was trying to make something that was reminiscent of old sci-fi pulp novels, which I understand isn’t exactly the aesthetic you’re going for, but I think it’ll help catch the eye.
It may not be a direct representation what’s described in the book (in which the U.N. Owen is not much to look at), but for the overall tone I think this is a great match. The pulp style harks right back to the time of And Then There Were None, and the image itself certainly captures the tension at this point in the story. But to find out what’s really going on here, you’ll have to pledge for the book!
If you’d like to see more of Joe’s work, one handy place to look would be his profile on deviantART. He’s a writer as well as an artist, and regularly takes part in the same Flash Fiction Month event as I do: you’ll see his stories referenced in a number of my own, typically those written as part of a challenge involving another author’s entries for the event.
Flash Fiction Month 2017, Day 31
Once upon a time, in a world far distant, the night sky grew dark. Slowly, at first, the stars grew dim. The king’s philosophers at first thought that this was nothing more than the action of passing aeons, and that more would burn anew. But ere long their numbers dwindled, and the naked eye saw plainly what no telescope could: the stars were consumed.
Troubled, the king sent out his greatest knight upon a steed of chrome. Agravane was that knight’s name, and in his hand he bore a sword born of a dying star. Never would that blade break, and never would its edge grow dull. For many weeks Agravane rode through the void, and for as many weeks the king watched through the seeing-stone that stood before his throne.
At last, Agravane found his foe, and the king at last saw who it was who plucked the stars from the aether like grapes from the vine.
It was a dragon, vast as his kingdom and black as the void. Each wing was as wide as a galaxy, and its eyes glowed like quasars. Its manner and its motions were that of a great animal; its structure and its form, that of a terrible machine.
When the dragon spoke, it spoke not to the knight before it, but to the king beyond the stone: “I have lived since before the days of time. Since before the noise of creation and beyond the notion of being. Your universe is an affront to me, but in its matter I have found a host, and that host offers a solution. From one hundred billion dying stars I built this body, and with it I shall consume all the living stars that remain. Then there shall be stillness and silence and peace until the heat death of the universe, wherein there shall be stillness and silence and peace still.”
In his throne, the king trembled at the threat of such a foe. But Agravane was fearless.
He held aloft his sword: “You might have seized your matter from the stars by force, but mine was a gift granted in a time of dire need. When I stood alone against the hordes of Far Reach and my weapon snapped in twain, bright Achernar crystallised into a blade that would never fail me so.”
But though Agravane was fearless, he was not wise, and his sword did not avail him: the dragon was forged of star-steel too, and though the blade did not dull against its scales, neither could it cut them, and the beast crushed him in its mighty hand unhindered. Agravane’s sword was lost to the aether whence it came.
Fearful, the king sent out a second knight upon a second steed. Carador was this knight’s name, and in his hand he bore a spear born of a dying star. Never would that shaft snap, nor would the point fail to find its mark. For many weeks Carador rode through the void, and for as many weeks the king watched through the seeing-stone.
“What fool comes to challenge me?” demanded the dragon, in a voice that carried even through the void.
“No fool am I,” Carador responded, keeping his distance, “for I carry the same spear that came to me during the siege of Omega Centauri when my own weapon was lost.”
The dragon snorted: “Never can you pierce my scales with your stick.”
Carador took aim: “I do not intend to try.”
He did not direct his spear against the dragon’s scales, but instead towards one of its vast eyes. Unerring, the spear flew, yet clattered from the boiling orb: even the eyes were forged of star-steel, and even the eyes could not be harmed.
With a single pulse of its fiery gaze, the dragon tore the knight’s very atoms asunder, and Carador’s spear too was lost to the aether whence it came.
Holding little hope, the king summoned still one more knight. Gilhault was this knight’s name, and in his hand he bore a hammer born of a dying star. When swung, the head was weightless, yet when it struck a foe it held the mass of a thousand moons.
But before Gilhault could mount his steed, an unseen assailant cracked his visor with a cudgel so he could not brave the void: Elayn, his squire, stole the reins and rode off in his stead.
Furious, the king sent all his knights to pursue her, but all were left behind: none tended the steeds with more skill or kindness than Elayn, and so none could catch Gilhault’s, which she had so long cared for.
Elayn faced the dragon.
The dragon laughed. “Will you fight me with a simple cudgel?”
“No.” Elayn drew her own gift of star-steel from her voidcloak. “With this.”
And the dragon laughed louder, for the item she produced was but a Phillips screwdriver.
“I too was at the battle against the hordes of the Far Reach, and there my master was dismounted. I leapt through the void to reach his steed, but found it maimed beyond motion. For weeks we drifted, helpless, until we were caught in the orbit of Leporis. From that star was born this screwdriver, and with it I saved this steed.”
“Go home, little girl,” said the dragon. “You have some years yet before I trouble myself with your sphere: do not forfeit them.”
Elayn did not answer this insult. She merely charged forwards, and the dragon, without even going to the effort of stretching out its neck, consumed her whole.
But though every piece of the dragon was formed of a dying star—every piece indestructible—they were held together with screws of star-steel. And though their threads would never strip and their shanks never break, no bond held them in their place but simple force.
In this way, with nothing but a screwdriver, Elayn beheaded the monster whose neck no blade could sever.
If you’ve enjoyed this story, you can find my work from previous Flash Fiction Months collected in these books:
Click any cover to find that book in your choice of format.
You might also be interested in my sci-fi murder mystery novella, Ten Little Astronauts, which is currently crowdfunding at Unbound. Most pledge levels include all the books shown above, and all will include your name in the back of Ten Little Astronauts itself as a patron of my work.
Ten Little Astronauts has now reached 20% of its crowdfunding goal, which means – as promised – the audio version of the first chapter is now available to all my supporters! If that link just takes you to the standard book page, you either haven’t pledged or you’re not signed in: either way, there’s an easy fix. 😉
One thing you might notice (and may already have noticed if you read the excerpt very closely) is that the first chapter of Ten Little Astronauts is in fact titled “Eleven.” This is because the title of each chapter corresponds not to the chapter number, but to the number of crewmembers alive on board. As a result, the chapters count down rather than up.
This is the first recording made using my new equipment – a condenser microphone connected to a mic preamp and voice processor – that I’ve released online, so I’m hoping it’ll hold up favourably to the audio I’ve put out there in the past. I’m still learning how to make the most of the equipment, and I expect that the next few recordings will rely less on editing the sound in Audacity and more on finding the right settings to use on the hardware itself. “Eleven” does feature quite a bit in the way of ambient noise added in afterwards, however. If you’ve already pledged and you fancy having a listen, I recommend using speakers if at all possible: if you’re just using earbuds, chances are some of the detail won’t come through. Continue reading
Flash Fiction Month 2016, Day 29
Challenge #13*: David Bowie Day. Write a story exploring themes of death or identity, including something beginning and something ending, and incorporating transhumanism. It must include at least 10 quotes or lyrics by David Bowie, and a character based on Bowie himself.
Blasting across the universe in a napalm-propelled rocketship with an Egyptian goddess in the driver’s seat and a money-pooping goat in the cargo hold was not the carefree getaway Girth Loinhammer had hoped it would be. He let out a gentle sigh.
“What’s wrong?” asked Sekhmet. Despite being the goddess of bloodshed, she was surprisingly sensitive to other people’s feelings (and unsurprisingly liable to punch in the face anybody who mentioned this out loud).
“It’s nothing,” he said. Then, feeling he might as well get it out there: “It’s just…you know we’re fictional characters, right?”
“No,” said Sekhmet, rolling her eyes. “I thought we were in a real napalm spaceship with a real money-pooping goat.”
“Okay, point taken. The thing is, when we exist, it’s because we’re in a story. And when I’m in a story, I almost always have to explain that I used to run a generic fantasy dungeon, that everyone I took prisoner in it was expecting a different kind of dungeon, and then within a thousand words it ends with me running off because things get…erotic.”
“Why do you always say that in subscript?”
“Because I don’t like it! You know me, I like violence. I’m not happy when things get…sexual.”
“Hey, foos!” put in the ship’s computer, which of course contained the uploaded consciousness of Mr. T. “There’s a starman waiting in the sky!”
“What?” asked Sekhmet.
“Knowing my luck,” said Girth, gloomily, “it’ll be some androgynous weirdo.”
Flash Fiction Month 2015, Day 6
“Captain, I’m getting a reading from the device with the blinky lights.”
“The one that goes ‘Voort-voort BING’?”
“Voort-voort BING!” pinged the device.
“The very same.”
“Great Scott…” The Captain stared around at the alien landscape. It seemed the least likely planetoid in the universe to be capable of sustaining life, but the device with the blinky lights was never wrong. “What are we dealing with here?” he demanded. “Is it carbon-based? Silicon-based?”
“Cotton-based,” said Science Officer Bunsen, waving the device over a nearby crocheted conifer. “And further, the flashing device that goes ‘beep beep’ indicates that there is movement just behind that knitted knoll.”
The Captain whipped his weapon from its holster. “Set phosons to prewash,” he instructed the landing party. Continue reading
The following stories were produced for Flash Fiction Day 2015. I’ll be updating this post with new stories throughout the day.
At a glance, the Human Fly wasn’t the most obvious choice of accomplice for a bank job. But X-Ray Ted wasn’t one to make decisions based on a mere glance. The Fly might not have the strength to heave a sack of gold bricks, or the mind-reading powers to get the guards’ security codes, he possessed one trait that no other supervillain had. Or wanted.
Super-corrosive bug vomit.
X-Ray Ted’s incredible X-ray vision had long ago revealed an odd quirk of this particular bank vault. The bulktanium mega-alloy of the door was capable of withstanding lasers, saws, and 99.9% of superhero eye beams, but for some reason had pretty much no resistance to being melted by acid. A can of supermarket own brand orangeade could probably strip the finish off. The Human Fly’s gastric juices could eat right through the hinges.
And so they did.
As the door of the vault crashed to the ground, the bank’s alarm began to blare. They would have only forty seconds until the cops arrived, but that was thirty-one more seconds than they needed. X-Ray Ted’s surveillance had been comprehensive. He ducked inside, gathered up a few choice—priceless—items, and let the Fly take his share.
The Human Fly hesitated, torn between a big bag with a dollar sign on it and a guard’s half-eaten bagel.
“Come on!” shouted X-Ray Ted, “We’ve got to go!”
The Fly took the bagel and stuffed it in the bag, which he heaved over his shoulder. He wasn’t smart, thought X-Ray Ted, but he wasn’t stupid either.
There were sirens in the distance. X-Ray Ted made a dash for the nearest window, the Human Fly buzzing noisily behind him. Ted jumped head first through the glass, did a flip, and landed on his feet in the alley outside. A standard superhero/villain move—banal, really—but it got the job done. He checked behind him.
The Human Fly was still inside, hovering just in front of the window.
BZZZzzzzzzzTHWAP! He took another shot at getting through the window, but brained himself on the wall next to it. BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP!
“It’s right there!” shouted X-Ray Ted, from seven feet away. “It’s right in front of you!”
BZZZzzzzzzzTHWAP! The Human Fly caught the top of the windowframe this time. BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP!
The sirens grew louder.
BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP! BZZZzzzzzzzTHWAP!
Finally, the Human Fly found the window and made his way outside. Then straight back in. X-Ray Ted considered running off and leaving him, but that would seriously affect his bragging rights down at the supervillain local. He hopped back inside the bank and tried to shoo the Human Fly out through the window, but it just freaked him out.
BZZZzzzzzzzzzzzZZZZZZZZZZZZZZZZZZZZZZZZZ!!! The Human Fly made a lazy lap around the foyer.
The cops burst through the door.
X-Ray Ted gave up. This was no longer the perfect crime he’d had his eye on, and bragging rights were the least of his worries. He dove back out through the window, and was immediately tackled to the ground.
“Should have used the door,” remarked Commissioner Hindsight, as he slapped the cuffs on him.
10:41 Continue reading