Tagged: performance

Exponential Adventure at EGX Rezzed

Good news for fans of the Dungeon Lord: Girth Loinhammer’s Most Exponential Adventure will be making an appearance at EGX Rezzed on the 4th of April!

More specifically, a live reading of Girth Loinhammer’s Most Exponential Adventure will be taking place as part of the brand new EGX Rezzed Fringe Theatre. For anybody unfamiliar with the story, it’s a massively interactive fantasy parody that plays out sort of like a Fighting Fantasy gamebook, but typically involves much, much more booze. I’ll read a chunk out loud (probably with funny voices – it gets hard to tell who’s who otherwise), announce the options available to the audience, and then whichever one gets the loudest cheer decides how the story will continue.

This is essentially what I’ve been doing at open mics for the past couple of years, but instead of taking place in a dingy pub somewhere, it’ll be at London’s largest games event.

If you’d like to come and get involved, Exponential Adventure will be running Thursday 4th of April at 2pm, and go on for about 45 minutes. This should allow time for at least three readings, but could stretch to as many as four or five depending on how things go on the day. We’ll be on the ground floor of the Tobacco Dock, which is probably the second most dungeon-y venue I’ve ever had for this.

Tickets are very reasonably priced for an event of this size. If you’re already near London, twenty quid gets you in all day Thursday which will let you see my show and still have a go at plenty of games. If you’re coming from farther afield, a Super Pass for the full three days is just £44.

Also, not to pile on the pressure or anything, but if nobody turns up then I will literally be standing on stage doing nothing because interactive fiction does not work without an audience. So please do share this around!

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The Trouble with Tybalt

Flash Fiction Month 2014, Day 19

Challenge #9: Write a science fiction story featuring at least one non-human character. It must also include the phrase “It’s life, Jim, but not as we know it.”

“What light through yonder window breaks?

It’s life, Jim, but not as we know it.”

“Beautiful,” whispered Splirda from the front row, dabbing a tissue to her eye with one of her many facial gnathopods. “He may be young, but I doubt there’s been such a moving performance since Lemon Nimrod originally took to the stage a thousand years ago.”

Splurg leaned forward, peering through his thick omnifocals. “I don’t get it,” he grumped. “Who’s that guy? What’s going on? Why is that battleturret made of plywood?”

Splirda sighed, exasperated. “That’s Romulo. He’s in deeply in love with Juliet, but they can’t be together because he’s a Montagen and she’s a Capulet: Montag II is stuck in a bitter war with planet Capule, much to the consternation of the United Federation of Planets. The plywood battleturret is part of a sacred Thespian tradition. They don’t use any hologimmickry in these performances.”

“O Romulo, Romulo, Wherefore art thou Romulo?

Deny thy D’era and refuse thy fame;

Or, if thou wilt not…”

“Why is the female Earth-creature flailing about like that?”

“It’s an all-human acting troupe. They’ve only got the two arms so they’ve got to move about a lot in order to convey the proper sense of drama.” She leaned in close. “If you’d gone to last week’s performance of Othello 2: Moore’s the Pity you’d know all about it. They held a very informative Q and A session afterwards.”

Splurg blew contemptuously through his five lips. “If you have to know all this stuff for it to make sense, it can’t be very good.”

Sprilda harrumphed and turned her attention to the play.

Things went on much as they had done before, and Splurg almost dozed off. But then something changed. There was a scuffle of activity on stage as the one known as Mercutron drew a raygun from his belt.

“Tribbalt, you rat-blaster, will you walk?”

“I am for you.” Tribbalt drew his too.

Romulo approached, his gently flailing arms perfectly illustrating his wish for peace. “Come Mercutron, put thy phaser up.”

But alas, it was in vain. Mercutron and Tribbalt lunged for one another, both weapons scattering really far away across the stage. As they began to grapple, blaring music rose from the orchestra.

Suddenly, Splurg realised that he was really quite enjoying this, and Sprilda knew it. “Okay,” he said reluctantly. “It’s not all bad, I guess.”

“I told you!” Sprilda beamed. “William Shatner’s the best playwright who ever lived!”


If you’ve enjoyed this story, you can find my work from Flash Fiction Month 2012 and 2013 collected in OCR is Not the Only Font and Red Herring respectively.