I’m putting together an illustrated omnibus of all my Flash Fiction Month pieces from 2012 to 2017, and I need your help! This thing will include 186 stories – 31 for each of the first six years I took part in the event – and I’d like at least a significant portion to have an image to go with them. Read on even if you’re not an artist: it matters less than you’d think!
This Google sheet lists the full selection of stories, organised by year (as well as a link to each one to refresh your memory). Produce an illustration for any of them – even if it’s just a doodle on a napkin – and I’ll consider it for inclusion in the book. I don’t promise to add in everything that’s sent, but I don’t rule it out either! Here are some tips to maximise your chances:
- The images will probably be included on their own page, which means it’s preferable for each one to be portrait (taller than it is wide).
- Colour illustrations are absolutely fine (and people reading on phones and tablets will see them in all their glory), but bear in mind the interior of the paperback will be printed in black and white. Most e-readers will show the images in greyscale too.
- Bigger is better. I can always shrink or crop a large image to fit the book, but I can’t do anything to conjure more pixels out of a smaller one!
- Scans are preferable to photographs (if you’re working on paper/canvas/whatever). Each of my #draw365 images is just hastily snapped with my smartphone, and they really suffer because of it. If you don’t have access to a scanner, this blog post offers some handy tips on how to get good photos (even on a phone).
If you’d like to submit an illustration, simply add your name and a hyperlink to the Google sheet. That’s all there is to it, but if you’d like to tell your friends too then that would really help me out a lot!
The goal here is ideally to have one illustration for each of the 186 stories in the book. I’d settle for less, and I might consider more, but that one per story seems like something to aim for. Obviously nobody’s had a chance to ask any questions yet – let alone frequently – but here’s an FAQ anyway.
An FAQ Anyway:
Q: Will I get paid for this?
Q: Will I at least get a copy of the book?
A: If I end up using your artwork, I’ll send you a free ebook! I’ll probably send one even if I don’t.
Q: Why should I send you my work for free?
A: Literally the only reason is “Because you want to.” If you don’t, then don’t. Absolutely do not consider doing this for exposure. That’s a terrible idea in general and in this particular case I can’t even promise it’ll get your work in front of a significant audience.
Q: No, seriously, is there any reason I should get involved with this thing?
A: I think it’ll be fun! If you like any of the stories I’ve produced for Flash Fiction Month, this is a chance to engage with them and create something for future readers to enjoy. If you just like drawing and want to get involved with a big project, that’s great too!
Q: What’ll happen if you get more than one illustration for the same story?
A: I’ll probably just choose my favourite and the other(s) will go unused. However, if it’s a long-ish story then I may be able to fit both in.
Q: How should I add my name and link to the spreadsheet if someone else has already illustrated that story?
A: Just stick them in the next available cells on that row. I don’t anticipate that there’ll be too much competition.
Q: What’s stopping me doing an absolutely rubbish scribble just to get a free book?
A: Nothing. Scribble away! But again, there’s no guarantee I’ll use it and therefore no guarantee of a free book. (This is the internet: I acknowledge the possibility that 5,000 people will send me a hastily scrawled dickbutt, but I’m not emailing out books for the privilege.)
Q: Can I submit more than one illustration?
A: Yes, submit as many as you like!
Q: You’ve emphasised that quality isn’t much of a concern, but I’ve got an idea for something really good! Will that look out of place?
A: I certainly hope not! I hope that people will endeavour to produce work of the highest possible quality, much as I did when producing these six years’ worth of stories. However, I realise that people may find they don’t always quite manage to achieve their own expectations, as I did when producing these six years’ worth of stories.
Q: What exactly am I letting you do with my artwork?
A: By submitting an illustration you are granting me the non-exclusive right to reproduce that image for commercial and non-commercial purposes, which is what I need to make, sell, and promote the omnibus. You maintain all the rights you would have if I weren’t using the image at all (which is actually kind of a grey area when it comes to fan art, but I’m not exactly going to sue people for drawing things I’ve invited them to draw!).
Q: I’ve already drawn fan art of one of these stories! Can I submit that?
A: Yes! I actively encourage it.
Q: I’ve already drawn something that wasn’t specifically based on one of these stories, but might as well have been. Can I submit that?
A: Yes, that’s fine too.
Q: Is there a deadline for this?
A: Not currently, though I’d like to be able to release the omnibus sometime in 2020.
If you’d like to submit an illustration (or a few!) then here’s that link to the spreadsheet again. Even if not, I hope you’ll consider sharing this around. I think it could be a neat project, and I’d like anyone who might be interested to have a chance to get involved.
There’s less than a month to go until Flash Fiction Month 2019, but I’m happy to announce that Blunderball – my anthology of flash fiction from Flash Fiction Month 2018 – is now available in classic dead tree format!
The paperback is available on Amazon UK, as well as basically any other Amazon store you’d care to look for it. You’ll find it in a bunch of other shops too, and usually somebody in Australia starts offering these things on eBay sooner or later, so basically just get one where such things are got. Continue reading
I’ve been invited to talk about Ten Little Astronauts at the International Agatha Christie Festival on September 14th! If you’re in the area (or planning to make a trip to Torquay for five straight days of Christie-related goodness), you can catch me at the Platform taking place at 6pm in the Spanish Barn of Torre Abbey. I’ve written a little more about my talk on Unbound, but the main thing to mention about it would be that I’ll be giving an overview of how the book came about – from devising the mystery and researching the setting all the way towards its journey to publication – as well as reading from a couple of sections that won’t have been heard anywhere else (unless you were on my MA course!).
The Agatha Christie Birthday Celebrations last year were well worth the trip, so I’m really looking forward to getting a look around the festival itself. I was only there for the day (including about eight hours of train travel) last time, and even though I won’t be around for the full five days of this event, it should be a much more relaxed trip all round. If you’re there, do let me know and say hi! Continue reading
There’s a new anthology from JayHenge Publishing, and this one’s all about speculative detective fiction! It’s called Unearthly Sleuths, and it features two of my stories: The Card and Noise on the Wire. The former appears in OCR is Not the Only Font, my flash fiction anthology from 2012, but the latter is a brand new Alterworld story I’ve never shared before!
If that sounds like your sort of thing you can grab a copy in ebook or paperback right now! However, the editor has extremely kindly allowed me to offer the ebook as a reward for supporters of Ten Little Astronauts, so if you’ve pledged for that at the Audio Collection level or above (or the bargain Digital Bundle), you’re already due to get a copy when the book is funded!
You might also be interested in Phantasmical Contraptions and Other Errors, also by JayHenge, which has a steampunk theme and features no fewer than three of my flash fiction pieces.
Fans of big purple bionic boxing gloves rejoice! My third free collection of flash fiction stories, all of which are readily available on this very website, is now available in a non-free paperback format!
I’m really pleased with how this turned out, because the boxing glove took the most editing out of any of the cover images so far. It was also the first cover made without the direct assistance of JD McDonnell, though given that he left me with a very solid format to follow, I’m nut sure exactly how much I could screw up on my own. Continue reading