Yes! Ten Little Astronauts has reached 30% funding through Unbound. The last little bit of that came very quickly indeed: pretty much just over this past weekend. You can find the update on their site here.
If you haven’t pledged already, this would be a spectacularly good time to do so. The book has had so much support these past few days that it’s currently trending on Unbound, and if that continues – particularly if it earns a place on the front page of books – even more people are going to discover it. If you’re one of the next 15 people to put in a pledge, you’ll also get your name in an interactive sci-fi story I’m working on as well as the regular rewards.
Harvest Moon, the folk horror story I was offering as the 30% milestone reward, will be going out to supporters soon. For the 35% milestone reward I’m planning to release a never-before-seen Face of Glass myth telling the origin of the elements and the creation of Man. If that takes your fancy, you might also be interested in Silent as Still Water.
And please, even if you don’t intend to put in a pledge yourself, consider sharing Ten Little Astronauts with anyone you think might enjoy it. That 100% mark is creeping closer and closer, but I can’t reach it on my own!
Ten Little Astronauts has now reached 20% of its crowdfunding goal, which means – as promised – the audio version of the first chapter is now available to all my supporters! If that link just takes you to the standard book page, you either haven’t pledged or you’re not signed in: either way, there’s an easy fix. 😉
One thing you might notice (and may already have noticed if you read the excerpt very closely) is that the first chapter of Ten Little Astronauts is in fact titled “Eleven.” This is because the title of each chapter corresponds not to the chapter number, but to the number of crewmembers alive on board. As a result, the chapters count down rather than up.
This is the first recording made using my new equipment – a condenser microphone connected to a mic preamp and voice processor – that I’ve released online, so I’m hoping it’ll hold up favourably to the audio I’ve put out there in the past. I’m still learning how to make the most of the equipment, and I expect that the next few recordings will rely less on editing the sound in Audacity and more on finding the right settings to use on the hardware itself. “Eleven” does feature quite a bit in the way of ambient noise added in afterwards, however. If you’ve already pledged and you fancy having a listen, I recommend using speakers if at all possible: if you’re just using earbuds, chances are some of the detail won’t come through. Continue reading