It’s Day Five of National Novel Writing Month, which means that my quest to produce a 100,000 word work of interactive fiction is already four days closer to completion. And what a four days they’ve been.
Since my last NaNoWriMo post came after just the first day of writing, and only included the bare minimum of work-in-progress work necessary to illustrate what I was doing, part of the point of this post is just to say that I’ve got into the swing of things and I’m expecting to have more of my NaNo project online and ready to read almost every day. I’ve found that although philome.la (my Twine hosting site of choice) doesn’t allow me to “edit” stories, it’s simple enough just to delete one and then reupload it under the same name. This means that the most recent version of Girth Loinhammer’s Most Exponential Adventure can always be reached through the same hyperlinks, no matter what version I was actually linking to at the time. I won’t announce every single update (except on Twitter): just check out the story whenever you feel like it and you’ll be able to see all the stuff I’ve added since you last had a look.
If you can find it, that is.
I’m currently writing the story back-to-front, in a sense. Rather than writing the first decision-making passage, then the two passages leading off from that passage, then the four passages leading off from those two passages, I’ve prioritised completing endings over writing beginnings. This is ridiculously complicated to describe, so here’s a screenshot of my work in progress:
The highlighted passage in the top left of the screen is the start of the story: the one containing the “You are Girth Loinhammer…” introductory text, and your first opportunity to decide how the story progresses. The passage far below it, connected by a long vertical line, is one I haven’t written yet (it just contains some NaNoWriMo filler text). However, the vertical chain of connected passages just to the right of that long line is one complete storyline: you’ll see it in its entirety if you choose to mope in the dungeon (or generally not do anything interesting) at every opportunity. Running horizontally along the screen are all the endings I’ve written so far. You can see how some of them branch off that complete “moping” storyline earlier than others.
The upshot of this is that rather than slowly building up more options at the beginning of the story and maybe starting to write endings about halfway through the month, I was able to have a dozen or so endings ready for people to discover on day one and add a dozen or so every day afterwards. I’m actually aiming to complete 16 storylines a day. Working like this has its good and bad points, and I think I’ve been at it for just long enough to get into those now:
- Word count is not a problem. I was originally wondering if I may have bitten off more than I could chew by trying to tackle 100,000 words for NaNo rather than the usual 50,000. I planned my project on the assumption that each passage would average 100 words in length, when in fact most of them naturally come to a fair bit more.
- Ideas are easy to come by. I thought quite a bit about what sort of story I wanted to write before I started. I even put out a poll to gather readers’ opinions. Turns out you guys were onto something: writing a massively branching story that doesn’t take itself seriously has given me a lot of options for endings: everything from alien abductions to death by boredom. This kind of massively branching format makes it difficult (though not impossible) to write yourself into a corner as you can when working on a linear novel.
- Quality seems okay so far. It might be too early to say for sure, but I don’t think the quantity of work I’m trying to produce this month is having too much of an impact on the quality. There are a lot of typos and I’ll want to do quite a bit of fixing up before considering this thing properly finished, but I don’t feel like I’m writing for the sake of it. I’m really enjoying coming up with these storylines and there are a few I’m particularly looking forward to.
- People seem surprisingly invested in the story. I really wasn’t sure what sort of reaction to expect to something I was putting on show in such an unfinished state. Interactive fiction often behaves a little like a machine, in that if parts are missing it won’t work at all. However, I’ve been absolutely blown away by the response. People have said they’ve gone through and read every ending, which even on day one meant sifting through 5,000 words of story divided between 30 or so passages.
- I will probably not finish on time. Despite being likely to absolutely shatter my word count goal at this rate, completing the entire story in November would involve an absurd amount of work. The problem is passages. Words might be easy enough to accumulate, but the easiest way to keep track of the story (for complicated mathsy reasons) is to aim for 31 passages a day. This is the easiest number to aim for, but it’s quite a challenge to write and it’s still not enough for me to finish in November. At this point it’s looking as though I’ll finish something like a week late–and even then only if I really stick with it.
- The story is difficult to organise. Twine is a great bit of software, but it’s difficult to set out a story this large as a readable flowchart. I’ve already ended up skipping passages because I lost track of what I needed to add where, and though I think it’s all fixed now, it’s a problem I just wouldn’t face with a linear novel.
- Many choices are inconsequential. I’m actually playing this for laughs quite a bit, but ideally interactive fiction should make you think about what you’re doing and what effect your choices will have. However, the sheer number of choices I have to write for this thing means that they can’t all be significant. The fun of Exponential Adventure will come primarily from exploring its multitude of storylines, rather than getting seriously invested in the fate of its protagonist.
- Interactive fiction gives me nightmares. This hasn’t so far been an issue with Exponential Adventure, but it happened with both Blacklight 1995 and Outpost, and I think it has more to do with format than genre. These things are all multidimensional worlds rather than linear stories, so it’s a lot easier to get wrapped up in them. On the plus side, though, I hope that also makes them more interesting to read.
So that’s how things are going so far. I’m on track to hit my target of 100,000 words, but at the same time it looks as though that target won’t be quite enough to get the story done during NaNo. However, it’s all going well so far, and if you haven’t checked it out since day one, Girth Loinhammer’s Most Exponential Adventure now includes nearly 20,000 words worth of silliness for you to explore. Also 64 unique endings.
Those things add up quickly.