We All Saw It Coming, my Flash Fiction Month anthology for 2017, is now available as an ebook through Smashwords. It’ll be available through other retailers shortly, but I haven’t yet assigned it an ISBN because I’m still confirming that everything is working as it should.
The sheer scale of this year’s interactive fiction challenge, Ultraviolent Unicorn Deathmatch of Destiny, meant that I had to set up internal hyperlinks just to make it navigable. There was some extra faff involved in making sure I didn’t end up with all 48 of those listed in the book’s table of contents, and although everything seems to have worked out fine, there were enough opportunities for things to go wrong that I don’t like to assume they haven’t. Still, whether or not this story turned out perfect first time, I’ve definitely got a better grasp of how to handle interactive fiction in this format than I had before, and so at some point I expect I’ll be going back and giving the same treatment to Robocopout‘s interactive fiction piece, Inquisition.
The next job will be to format and publish the paperback, and when that’s available I’m strongly considering having a launch party of some kind! This book completes the six-colour cycle I’ve been working towards (I’ll be sticking another orange object on the cover of whatever I write for 2018), so although I’ve never made all that much of a song and dance about the release of these books in the past, I feel as though this is a good enough occasion to start.
Since this is pretty much the first book launch I’ve ever organised, I’m keen to get an idea of how many people would be likely to turn up, as well as where they’d be able to get to. The poll above allows multiple answers: feel free to tick as many as you like. In fact, ideally don’t be too picky: if you really could make it to any of these places, that gives me more options to work with. Conversely, picking only Southampton because you live there could screw things up quite a bit: if 30 people only pick the closest Hampshire town, they could quite easily be outvoted by half that number in London.
Promoting Ten Little Astronauts has put my work in front of people from much farther afield than before, so I’m really not sure where most of my followers are based at this point. My guess is that most know me from various local open mics – and I’d probably prefer a local launch myself – but the biggest events have been in London, and those are generally the ones where my name’s been on the flyers and whatnot. Ultimately I figure the thing to do is to hold the launch wherever people can get to it, so that’s why I’ve put out this poll. Tick whichever boxes work for you, pass it on to anyone else you think might like to come along for readings and live interactive fiction, and if you’ve got any other thoughts then leave those in the comments. As always, you don’t need an account or even an email address: just type words into the box, hit “Post” and it’ll get to me.
You may have seen Shona Kinsella’s recent review of Face of Glass, but what you might not know is that she’s actually written a work of Prehistoric Fantasy herself. Ashael Rising has not only been launched, but successfully funded through Unbound! I think you’ll find the story behind the book very interesting, and if Ashael Rising itself piques your interest, you’ll be happy to know that although it’s passed 100% funding, there’s still a chance to chip and and get your name in the back of the book as a supporter (among other great rewards)!
Ashael Rising: How it All Began
I have wanted to write a book for as long as I can remember. As a child I wrote stories in notebooks that I carried with me. In my teens, the film Bucket List was a big thing and Write a Book was number one on mine. As an adult, I never thought I would actually get around to it; I mean who has the time? But I still squirreled away ideas, guarding them jealously against the possibility that I would win the lottery and become a lady of leisure.
About nine years ago I had a dream that, immediately upon waking, struck me as one of those ideas and though much of the dream faded, the final image has stayed with me all these years. Continue reading
Until now, if you wanted anything other than just an ebook version of Ten Little Astronauts, you’d also have to pay for shipping on the paperback included in the next pledge level up. Since that may not be ideal for supporters outside the UK, I’ve just added two new options geared specifically towards anyone for whom shipping costs could be a problem:
£25 Digital Bundle:
This reward consists of absolutely everything I can send you without sticking it in the post. You get all the digital rewards: the ebooks of Ten Little Astronauts, Face of Glass, and all my flash fiction anthologies, plus the audio collection that’s normally introduced at £35. That means you’re getting £10 off the audio collection, and not paying a penny shipping on anything at all.
£30 Read With A Friend:
If you do want a paperback but don’t want to pay the full cost of shipping, this may offer a solution: two paperbacks, two ebooks and two names in the back of Ten Little Astronauts, but all in just one parcel. That means that if you can find a friend who’d also like a copy, you can split the cost of delivery and still get your futuristic sci-fi murder mystery in tried-and-tested dead tree format.
Though I’ve included these rewards with international supporters in mind, they’re still available within the UK. You’ll still save on postage if you want to read with a friend, and if you’re particularly keen to hear my brand new audio collection but aren’t fussed about getting a paperback, then the Digital Bundle could be for you.
If you’ve already pledged but would like to take advantage of one of these new options, you can do so by following the advice in this FAQ guide. Essentially, it’s just a matter of emailing email@example.com and asking them nicely: they’ll be able to return the value of your original pledge, which you’ll be able to put towards the new one.
If you initially went for the £10 ebook to avoid the cost of shipping, please do consider upgrading to the Digital Bundle. You’ll get greater rewards, Ten Little Astronauts will be that much closer to publication, and by my reckoning it’s still cheaper than a paperback and postage.
While preparing the paperback version of Osiris Likes This, I took the opportunity to revise a few of my other books as well. In most cases that involved little more than making sure the front and end matter was up to date (the “Books by Damon L. Wakes” page has grown significantly since the earliest ones were first released). However, for Face of Glass, I wanted to do something a little more significant.
Osiris Likes This is now available, and can be found in any format you’d like, DRM-free, right here for just $0.99.
Thanks to the (admittedly brief) preorder period, it should soon be appearing at your favourite retailers as well. I’ll also be taking this opportunity to make all the previous books available through Amazon’s Kindle store, though unfortunately Amazon won’t allow me to give them away free as I do elsewhere. If you want free copies of my first three anthologies for Kindle, your best bet is to download the .mobi (Kindle) version over on Smashwords.
If you’d like to have a look at the stories without buying the book, you can read online right here on my blog and also on deviantART (the home of Flash Fiction Month). This anthology is mostly for readers who want them collected up neatly to read on the go, or who’d like to support me by chucking a little money my way.
If you’d like to support me but wouldn’t like to spend any money, you can do so for free by reviewing or sharing any of my books. Email them to your friends! Throw them at your enemies! Also throw them at your frenemies (but gift-wrap them first, to show that you care)!
But if you would like a copy of Osiris Likes This, here’s that link again.
Tuesday evening marked two firsts for me: the first book fair I’ve taken my work to, and the first meeting of the Hampshire Writers’ Society I’ve been able to attend. Both were well worthwhile.
The overall experience setting up and sitting behind the table was uncannily familiar after bringing jewellery to so many craft fairs last year, but at the same time it was amazing to be at an event that was all about books. Though I wasn’t the only author there with an anthology, people seemed very interested in flash fiction and the Flash Fiction Month challenge. I think part of that might be down to the table display: the bold colour scheme for the FFM series really jumps out, while the more muted orange-red for Face of Glass kind of blends in. Given that Face of Glass is a serious prehistoric fantasy novel while my flash fiction collections tend to involve naked breakdancing wizards and foxes on drugs, I figure that’s acceptable, but when you get a chance to meet readers in person it’s the sort of thing you notice.
Thinking about cover design, this seems like a good time to mention that I was quite impressed by the paperbacks on the table next to me. Shadows in Sunshine, the book advertised on the banner in the image above, is Richard V Frankland‘s most recent instalment in the Vaughan Thrillers series. What immediately caught me was how nicely the covers tied all the books together:
Laid out as thumbnails, there’s just enough to connect them: the author’s name, a face-on animal photo, and white/yellow text. What you don’t see here is that each of the paperbacks has the eye of the animal at the top of the spine. It’s the sort of thing I think would look really good on the shelf.
All in all, it was a great evening. The organisers had already been doing a lot to get the books out there in the run-up to it, and I noticed a huge increase in the number of people downloading the free flash fiction anthologies. In that respect, the event was also interesting because the availability of the free downloads (and the ₤1 CD version) didn’t discourage people from buying the paperbacks. That’s something I’ve noticed online—indeed, the recent Immerse or Die review of Bionic Punchline is of the paperback version—but it seems particularly significant when people can pick up a leaflet or pay for a book. Paperbacks are a great format to have available, even if your ebook is free.
Though a clash with my MA course had stopped me turning up to any earlier Hampshire Writers’ meetings, I was surprised to find that I’d already bumped into quite a few people there at various readings and author events at the university. HWS doesn’t meet again until September, unfortunately, but I look forward to being able to get involved more often when things get going again. Also, there’s a good chance I’ll see quite a few members at the Winchester Writers’ Festival, which is coming up in exactly one week. Between that, Flash Fiction Day, and Flash Fiction Month, it looks as though I’m in for a fun several weeks!
Well, it’s been a month (almost to the day) since I mentioned that I’d be attending the Winchester Writers’ Festival this year. With just under a week left before the event, I’m pleased to say that that month has been spent productively. Behold:
Brand spanking new Flash Fiction Month paperbacks with brand spanking new covers designed by the amazing JD McDonnel. The one on the right is particularly noteworthy because until just now Red Herring didn’t even have a paperback. Even though it’s been out for the best part of a year. Yeeeeeeah. I’ll admit, I kind of dropped the ball on that one. But since the ebook is plastered all over the internet for free, the paperback just wasn’t a priority. That said, if you do fancy getting one, they’re priced extremely low and the wraparound covers will look lovely on your shelf.
You can tell I’m a pretty big Walter Moers fan. You can also tell which book is OCR is Not the Only Font and which is Red Herring since the new cover design offers something other than a blank white spine. I’ve got plans to use the same design for subsequent instalments in the Flash Fiction Month series (not that you have to read them in order), and they’ll eventually form a pretty little reverse rainbow on the shelf. Apologies if you already have a copy of the original OCR, but on the bright side those are no longer being printed and therefore comparatively rare.
The cover image continues over to the back of the books, adding a colourful accent to the blurb. Though you’ll probably notice that I try to make my blurbs colourful even without the image.
But wait, there’s more Writers’ Festival swag to come!
Using my vast knowledge of fiddling with computers for several days until they eventually to do the thing I want them to do, I have produced a CD. This disc features a whole host of goodies! As well as some choice pieces from my steadily growing range of readily available work–that is to say, stuff anyone could get on the internet for free anyway–it includes the complete text of Face of Glass.
As the case insert might suggest, however, it doesn’t end there. The disc will also work as a regular audio CD, playing The Three Tales from Face of Glass. With a 40 minute total runtime, this is perhaps the main feature of the disc. This audio version of the three tales was originally planned as a nod towards the storytelling theme running through the novel, but the actual process of recording them made me realise that they form a substantial work in their own right. Though I will almost certainly make this audio version available online at some point, I think it’s really best listened to away from the computer, somewhere comfy. The CD is handy for this, though obviously sticking the files on an MP3 player would be just as good.
I’ll be handing out a limited number of these discs at the festival, so if you’re reading this and you’ll be there, let me know (in the comments, on Twitter, anywhere really) so I can save one for you. Otherwise, your best chance to grab one is probably at the open mic night on Friday: I’ll definitely be there, and there’s (almost) no chance I’ll have blown through my whole supply by that point.