If you don’t yet have a copy of Ten Little Astronauts, you might be interested in this competition by Julie Warren, author of Glarnies, Green Berets & Goons: The Life and Legacy of Larry Stephens.
The book tells the story of a little-known figure, Larry Stephens, who nonetheless had a significant impact on British comedy. Like Ten Little Astronauts, it’s already been successfully funded at Unbound, but unlike Ten Little Astronauts it’s not yet in print, so there’s still time to get your name in the back as a patron.
The competition – closing on March 18th – is only open to supporters of Glarnies, Green Berets & Goons and involves unscrambling the annagramatised names of six sitcom characters. If you manage that, you’ll be in with a chance to win a paperback copy of Ten Little Astronauts for your very own!
You can find all the details of the competition here – and good luck!
I’ve been pretty heavily focused on getting Ten Little Astronauts ready for publication recently, which might be why I never noticed that two of my interactive fiction games were on the People’s Choice shortlist for Wonderbox’s Opening Up Digital Fiction Competition.
You can play either one by clicking its icon above.
I sent in a whole bunch of games back when the competition was open for submissions, but wasn’t particularly confident in any of them making the cut. To see two in there is a real surprise, especially since these two in particular are very different in tone.
Because I discovered this pretty late on, not only has voting now closed but the winners have already been announced! Sadly neither of my games are amongst them, but there was some pretty serious competition: the winners look absolutely top notch, and I encourage you to check them out.
This is hardly the first time something I’ve worked on has been up for a prize, but it is the first time it’s happened specifically for an interactive piece that wasn’t a team project. It just goes to show that it’s usually worth taking a chance on these things even if you’re not sure what will come of it. Also, do keep an eye on Wonderbox specifically: the competition is annual so if you’d like to take a shot at it yourself then you’ll have a chance next year!
If you’ve subscribed to my newsletter, you might have already had a chance to read The Garden of Eleven, the flash fiction piece I submitted to the final Hampshire Writers’ Society competition of their 2017-2018 season. That piece went on to take first place, and it’s now going on to be broadcast on Hospital Radio Basingstoke: one of the top five hospital radio stations in the UK.
If you’d like to have a listen online, it’ll be on sometime between 15:00 and 16:00 UK time on Wednesday 22nd of August 2018 (ie. coming up soon!). But time zones are difficult, so if you don’t know when that is for you, keep an eye on my Twitter feed: I’ll try and squawk about it an hour or so in advance.
I think this is the first time something of mine has gone out as audio like this, but we’re hoping it could become a regular thing for HWS – with the winning competition entry being broadcast every month.
This year, for the first time, I’ve entered IntroComp: an interactive fiction competition for which participants submit an excerpt of a work-in-progress rather than a finished piece. It’s an unconventional idea, but fortunately I had plenty of works-in-progress to choose from so bunging something in was a no-brainer.
The rules specify that entrants can’t canvass for votes, so I’m going to play it safe and not even tell you which entry is mine! You’ll just have to read through all of them (or as many as you like) and guess* which I submitted. And vote! Voting is open until August 31st.
*It’s possible my name is in there. I don’t know. I can’t remember.
Have fun! And if you write interactive fiction yourself, do keep an eye out for next year’s event. It’s a wonderful idea and I’d love to see it get more entries next time around.
I have a brand new Twine game for you, and this one comes with Prizes!
Lovely Pleasant Teatime Simulator is a relaxing narrative game about—
Actually, you know what? I’m not gonna bother. You know this isn’t really a straightforward Afternoon Tea simulator, and I know you know, so there’s really no point in me typing up a description pretending that it is. Continue reading
Project Procrustes is my latest work of interactive fiction, and I’m pleased to say that (besides Girth Loinhammer’s Most Exponential Adventure), it’s the largest yet! It clocks in at 23,649 words according to Twine’s built-in counter, though I’ve put considerable effort into making the text of individual passages react to past choices, so you’re not likely to see most of those words unless you play through many many times.
Like the other titles in my “Project” series, Project Procrustes focuses on one particular element of player interaction and explores it as fully as possible. In this case, that element is character customisation. All my previous Twine works have seen you taking on the role of a particular pre-selected character – whether that’s the nameless officer in Blacklight 1995 or the far too fleshed-out Girth Loinhammer in Exponential Adventure – and then the story branches out from there. Project Procrustes, on the other hand, provides you with a very sophisticated character creation tool up front and lets you begin your adventure as one of four classes (each with their own strengths and weaknesses) with points distributed across four essential stats. You can alter your character’s name and appearance too.
These early choices will prove extremely important over the course of your quest: the default barbarian protagonist might be able to casually blunder through enemy encounters, but a rogue would do better to try and avoid getting into such scuffles in the first place (and, to that end, is better equipped to avoid being seen). I strongly recommend trying a few different classes with their stats distributed in different ways: the prospect of flinging spells about may be very tempting, but you’ll be missing a lot of the game if you only ever play as a mage.
To make things interesting and hopefully get this game some extra attention (as it turned out to be a far, far bigger project than I initially planned), I’ll be sending a Steam key for Noio’s excellent Kingdom: New Lands to the first person to share a screenshot of Project Procrustes’ true ending. To avoid any confusion (since there are a couple of occasions in the game when your character can choose to simply walk away from their quest), this is the passage that ends with green text and does not include a “Restart?” or “SAVE GAME” link.
Happy questing – and may the best barbarian, rogue, mage or hunter win!
Please be aware that, having released Project Procrustes with this little competition in mind, I’ve taken certain precautions to prevent cheating. Revealing my methods would almost certainly make them less effective, so I’ll simply say that I believe I’ve been thorough enough that if you can reach that end screen without progressing through the game in the intended fashion (and without me noticing), you’ll have earned your Steam key anyway.
The following was an entry for the Hampshire Writers’ Society’s December 2016 competition – “introduce a new comics character” – in which it took 3rd place. You’ll find the judge’s response at the end of the post.
Mild mannered jobseeker John Johnson by day, by night Capt. Captain “Redundancy” Redundancy is a superhero whose superpower is redundancy! Wherever there is crime and somebody is already dealing with it, Captain Redundancy will be there, his sidekick Tautology Boy by his side.
A dark and brooding figurehead of justice, Captain Redundancy spends his nights staring out over the city he is sworn to stare out over. As a symbol of his calling as a hero, he wears a pair of underpants over his tights in addition to the usual pair worn underneath. The outer pair are redunderpants. They are red. Captain Redundancy wears red redunderpants.
John Johnson gained his powers after a bite from a radioactive mosquito caused him to stumble into the path of a chemical truck full of vacuum cleaner cleaner. Following this workplace accident—which granted him the incredible powers of redundancy—he was made redundant. Having accepted Tautology Boy as his sidekick, Captain Redundancy’s sidekick became Tautology Boy. Tautology Boy’s powers of tautology are a natural and direct consequence of being Tautology Boy, whose power is tautology.
Villains across the city fear Captain Redundancy, for by the time they see him it is already too late: the arrival of his dreaded carmobile guarantees that some other superhero has doubtless foiled their plans already. Captain Redundancy will never respond to a crime unless his presence is completely redundant, and thus—in doing pretty much nothing of any consequence himself—he is a beacon of hope in dark times: not the hero the city needs, but the hero it doesn’t.
Also Tautology Boy is there too.
Catherine Wild: It has not gone unnoticed that this submission seeks to parody the comic hero concept and indeed this competition itself, which I found to be quite refreshing. That said, the character is effective, as is his side kick Tautology Boy. The submission itself is very dry and errs on the side of metafiction.
I realise we’re halfway through March at this point, but wow is that second half packed full of things to do! If you fancy meeting me in person, you’ll have plenty of chances over the coming couple of weeks (though it helps if you’re currently in the southern half of the UK). Here’s what’s coming up, in order:
Truth is Like a Lazarus Launch
(University of Reading [Van Emden Theatre, HumSS Building], 6pm Monday 20th March)
I got my BA it the University of Reading, and after getting in touch to let them know about my recent success with Ten Little Astronauts, I was invited to submit something to this year’s Reading Creative Arts Anthology, Truth is Like a Lazarus; or, A Roof Bursting with Stars. That something is in there now, and if you turn up in the Van Emden Theatre at 6pm you’ll hopefully have the chance to hear me read it!
As an added bonus, the HumSS building is worth a visit in its own right: think “Hogwarts as imagined by M.C. Escher.” In my second year I almost missed a class because it took place on a floor I didn’t know existed. Fortunately, however, the Van Emden Theatre is up just one flight of stairs visible from the main entrance. Reading’s Whiteknights Campus is full of quirky things like this: it was very nearly declared a Site of Special Scientific Interest and has its own (obsolete) nuclear bunker. Well worth taking the time explore beforehand if you do decide to come to this event!
Winchester Comic Con
(Winchester Discovery Centre, 9am – 6pm, Saturday 25th March)
The first ever Winchester Comic Con is coming up, and I’ll be on the first ever author panel! I’m also one of the judges for the flash fiction competition, so if you fancy making a day of it then come prepared with a ≤100 word speculative fiction story. The competition is open to anybody with a ticket (which presumably you’ll need to get in there anyway, though it may be possible to pay on the door) and this is very much my kind of thing.
As you might expect from a nine-hour event, there’ll be lots going on. There’ll be guests from Harry Potter, Star Wars and Doctor Who, as well as the world’s leading Tintinologist (an expert on Tintin) Michael Farr. Also, it’s not certain at this point but I’m hoping fellow Unbound author Niall Slater will be there too.
(Tobacco Dock, London, 30th March – 1st April)
After having a really great time at EGX in September last year, I’ll be returning for EGX Rezzed at the end of the month! I say “returning” but actually this’ll be a fairly different event. For one thing it’s in London rather than Birmingham, and for another the focus is more on PC and indie titles such as Craft Keep VR, which will be on display there!
For anyone who hasn’t been following for a while, I first came across Craft Keep at EGX and, soon afterwards, ended up writing for it. That was a bit of a dream come true, really. EGX was the first games event I ever went to, and standing in the massive crowd heading in at the start of the first day, I never imagined I’d have my own work on show in the next one I went to. It was only an outside possibility even at the point I was on the train back home! I met a lot of great people at the last event (and bumped into a couple of people I’d already met at the Brighton Global Game Jam), and I’m hoping there’ll be a chance to catch up with at least some of them at this one.
As the “VR” in “Craft Keep VR” might imply, this is a virtual reality title and you’ll need a VR headset and motion controllers to play it. For most people (including me) then, an event like EGX is your main chance to give it a go. Tickets are available here, and they’re actually not too pricy considering the range of games you get to see! I gather that Rezzed will be more low-key than regular EGX – I’m not expecting to grab quite as many free T-shirts (if any) this time around – but even so you’re looking at three full days of gaming for less than the price of one current-gen console release. It’s certainly cheaper than buying an Oculus Rift or HTC Vive if you just want a go at Craft Keep VR!
And that’s it.
I’ve got a few more things planned over the last little while, quite a few of them related to Ten Little Astronauts, but none of those involve turning up places in person. Or at least, none of the ones that do really offer an opportunity to meet up with people. If you are planning to head to any of these, though – whether you’re near Reading or Winchester or fancy a trip into London for EGX – then let me know! It would be great to say hi.
The following is a transcript of a radio programme which aired on 14th July [CENSORED], transmitted from channel [CENSORED], presented for the attention of [CENSORED] in relation to PROJECT PROTEUS.
I was recently granted the sort of once-in-a-lifetime chance that most journalists can only ever dream about: the opportunity for an interview with a person so unique, so unusual, that everything about them shakes the very foundation of all that we have so long accepted to be true.
Hey, you have to check these guys out!
“Project Proteus”? Sounds like some crappy prog-rock group! Isn’t their singer like some sort of newspaper reporter or something?
Despite the really short window for submissions, I’m going to have a tough time choosing a winner: I’ll be announcing the results tomorrow. In the meantime, please enjoy the fantastic entries above and, if you haven’t already, explore Project Proteus for yourself.
A phone call.
A meeting at the docks.
A mysterious test, and a strange request.
Only two words lead you on: Project Proteus.
Project Proteus is my latest work of interactive fiction, and while it may not be the most ambitious (Outpost is going to be hard to top when it comes to that), I do feel as though it’s probably the most responsive. I’ve put a lot of effort into shaping the text itself around the various choices you’ll have to make in order to explore the mysterious Project Proteus.