I’m putting together an illustrated omnibus of all my Flash Fiction Month pieces from 2012 to 2017, and I need your help! This thing will include 186 stories – 31 for each of the first six years I took part in the event – and I’d like at least a significant portion to have an image to go with them. Read on even if you’re not an artist: it matters less than you’d think!
This Google sheet lists the full selection of stories, organised by year (as well as a link to each one to refresh your memory). Produce an illustration for any of them – even if it’s just a doodle on a napkin – and I’ll consider it for inclusion in the book. I don’t promise to add in everything that’s sent, but I don’t rule it out either! Here are some tips to maximise your chances:
- The images will probably be included on their own page, which means it’s preferable for each one to be portrait (taller than it is wide).
- Colour illustrations are absolutely fine (and people reading on phones and tablets will see them in all their glory), but bear in mind the interior of the paperback will be printed in black and white. Most e-readers will show the images in greyscale too.
- Bigger is better. I can always shrink or crop a large image to fit the book, but I can’t do anything to conjure more pixels out of a smaller one!
- Scans are preferable to photographs (if you’re working on paper/canvas/whatever). Each of my #draw365 images is just hastily snapped with my smartphone, and they really suffer because of it. If you don’t have access to a scanner, this blog post offers some handy tips on how to get good photos (even on a phone).
If you’d like to submit an illustration, simply add your name and a hyperlink to the Google sheet. That’s all there is to it, but if you’d like to tell your friends too then that would really help me out a lot!
The goal here is ideally to have one illustration for each of the 186 stories in the book. I’d settle for less, and I might consider more, but that one per story seems like something to aim for. Obviously nobody’s had a chance to ask any questions yet – let alone frequently – but here’s an FAQ anyway.
An FAQ Anyway:
Q: Will I get paid for this?
Q: Will I at least get a copy of the book?
A: If I end up using your artwork, I’ll send you a free ebook! I’ll probably send one even if I don’t.
Q: Why should I send you my work for free?
A: Literally the only reason is “Because you want to.” If you don’t, then don’t. Absolutely do not consider doing this for exposure. That’s a terrible idea in general and in this particular case I can’t even promise it’ll get your work in front of a significant audience.
Q: No, seriously, is there any reason I should get involved with this thing?
A: I think it’ll be fun! If you like any of the stories I’ve produced for Flash Fiction Month, this is a chance to engage with them and create something for future readers to enjoy. If you just like drawing and want to get involved with a big project, that’s great too!
Q: What’ll happen if you get more than one illustration for the same story?
A: I’ll probably just choose my favourite and the other(s) will go unused. However, if it’s a long-ish story then I may be able to fit both in.
Q: How should I add my name and link to the spreadsheet if someone else has already illustrated that story?
A: Just stick them in the next available cells on that row. I don’t anticipate that there’ll be too much competition.
Q: What’s stopping me doing an absolutely rubbish scribble just to get a free book?
A: Nothing. Scribble away! But again, there’s no guarantee I’ll use it and therefore no guarantee of a free book. (This is the internet: I acknowledge the possibility that 5,000 people will send me a hastily scrawled dickbutt, but I’m not emailing out books for the privilege.)
Q: Can I submit more than one illustration?
A: Yes, submit as many as you like!
Q: You’ve emphasised that quality isn’t much of a concern, but I’ve got an idea for something really good! Will that look out of place?
A: I certainly hope not! I hope that people will endeavour to produce work of the highest possible quality, much as I did when producing these six years’ worth of stories. However, I realise that people may find they don’t always quite manage to achieve their own expectations, as I did when producing these six years’ worth of stories.
Q: What exactly am I letting you do with my artwork?
A: By submitting an illustration you are granting me the non-exclusive right to reproduce that image for commercial and non-commercial purposes, which is what I need to make, sell, and promote the omnibus. You maintain all the rights you would have if I weren’t using the image at all (which is actually kind of a grey area when it comes to fan art, but I’m not exactly going to sue people for drawing things I’ve invited them to draw!).
Q: I’ve already drawn fan art of one of these stories! Can I submit that?
A: Yes! I actively encourage it.
Q: I’ve already drawn something that wasn’t specifically based on one of these stories, but might as well have been. Can I submit that?
A: Yes, that’s fine too.
Q: Is there a deadline for this?
A: Not currently, though I’d like to be able to release the omnibus sometime in 2020.
If you’d like to submit an illustration (or a few!) then here’s that link to the spreadsheet again. Even if not, I hope you’ll consider sharing this around. I think it could be a neat project, and I’d like anyone who might be interested to have a chance to get involved.
There’s less than a month to go until Flash Fiction Month 2019, but I’m happy to announce that Blunderball – my anthology of flash fiction from Flash Fiction Month 2018 – is now available in classic dead tree format!
The paperback is available on Amazon UK, as well as basically any other Amazon store you’d care to look for it. You’ll find it in a bunch of other shops too, and usually somebody in Australia starts offering these things on eBay sooner or later, so basically just get one where such things are got. Continue reading
“I felt a great disturbance in the Force, as if fifty copies of a book about unicorns with chainsaws for horns had just been dumped on a doorstep somewhere in Hampshire.“
~Obi-Wan Kenobi (who is fictional, and therefore can’t sue me for making up quotes)
Yep, that’s right. This is a thing that exists now. It has been made and cannot be unmade. Continue reading
If you live in Winchester, you might have noticed something on the High Street recently…
That’s right! Ten Little Astronauts is front and centre in Waterstones’ shop window, advertising An Evening With Damon Wakes on June 10th. This is quite a milestone for me, but it’s not the only news! Continue reading
I’ll be at Waterstones in Winchester (the High Street one) 6pm on June 10th to talk about Ten Little Astronauts.
If you missed the launch last month, this is the perfect opportunity to stop by and celebrate the publication of the book! Tickets are just £2.00 and refreshments will be served.
Do feel free to come along even if you did make it to the launch too! This event is organised as a sort of interview, so it’s likely to be a little different to the last one.
If you get your books from Apple, now’s your chance to grab Ten Little Astronauts for just 99p!
This is down to a BookBub deal that, surprisingly, has also seen the novella reach its highest ever sales ranking on Amazon, despite it not actually being on offer over there as far as I can tell. It’s also seen a sudden influx of ratings on Goodreads, so if you’ve read it but not left a review (on Amazon, Goodreads, anywhere else) then this would be a great time to do that.
Ten Little Astronauts is getting a lot of attention at the moment – a few words from you would do wonders to help people decide whether it’s something they want to read!
here’s the video from the Ten Little Astronauts launch party, very kindly recorded by Alex Carter (Lexica Films). It all went smoothly in the end, and it was great to see so many people who supported the book while it was crowdfunding, as well as so many who’d only discovered it since!
I had quite a lot of help getting this together, primarily from Crispin and the staff at P & G Wells, but also from Lynda Robertson and (again) Alex Carter who were kind enough to lend a hand on the evening. A huge thanks to everyone who helped make this happen, even if it was just by being there!
Here’s how (and why I won’t).
Not so long ago the whole literary community rallied together to try and take down a particularly brazen (or possibly just particularly dim) book pirate, and while that was truly heartwarming to see, I also got the impression that many of the people involved felt as though the problem would go away if they simply tackled that one site. Just to blow that idea out of the water, I’m going to tell you how I personally – me, the guy who has to copy and paste the £ symbol because he can’t work out how to type it – can pirate any book out there.
1) I can Google it.
If anybody, anywhere in the world has made your book available on a pirate site, there’s a good chance I can find it. It’s just that simple.
You can hunt around yourself and send out DMCA takedowns to anywhere hosting your book, but the more popular it is the more likely it’s being offered somewhere for free, and I only need to find one copy before you do. Also, good luck getting anything taken off The Pirate Bay: they’ve been running since 2003 despite the best efforts of entire governments.
2) I can ask for it.
Yeah, I see you doing this. Obviously I’m no Suzanne Collins, and by January 7th my book had been out less than a month: chances are nobody had made a pirate copy available at that point. Maybe they still haven’t. Who knows? Continue reading
Back when Ten Little Astronauts came out, I invited its supporters to send me photos of their books when they came in the post. I’ve been collecting those up as a Twitter Moment (whatever that is), but now that the novella has been around for a month I figure this would be a good time to share those photos here!
That’s a lot of books (and a couple of CDs)! If you’ve had a chance to read yours already, please, please, please do leave a review. It costs nothing, but it makes a world of difference when it comes to persuading other people to give the book a try.
Ten Little Astronauts has had a very positive response on Goodreads (and that’s been the case since quite a while before launch, thanks to The Pigeonhole), but so far doesn’t have a single rating on Amazon UK. I know [comprehensive list of reasons why Amazon sucks], but a lot of people buy books on there, so having a healthy selection of reviews is a real bonus and having none is a bit of a hurdle. Just an honest rating and a few words is all it takes to help get Ten Little Astronauts off to the best possible start!
You can download Red Herring for your Kindle here, and you can download Bionic Punchline for your Kindle here. OCR is Not the Only Font is available in exactly the same way. These links all point to Amazon UK, as that’s where the majority of my followers are based, but the ebooks should be available free indefinitely in all territories from now on. If they aren’t where you are, let me know and I’ll do my best to sort it out.
I may write a post on how to organise this at some point. Amazon pushes their (highly inadvisable) KDP Select programme so hard that I didn’t realise there was any other way of offering books for free until I got a tip-off from someone at a Writers’ Guild networking event. Ultimately, however, the process boils down to “ask Amazon nicely, then wait a long time and hope for the best.”
If you’d like to thank me for the free books, the best way of doing that would be to leave a review. Alternatively, the majority of my flash fiction anthologies are not (quite) free, so you might also consider treating yourself to one of those too. Blunderball, the seventh in the series, just came out yesterday. If you fancy something more substantial, there are also Ten Little Astronauts and Face of Glass, both of which have gone down very well with just about everyone who’s read them.