A serialised version of my prehistoric fantasy novel, Face of Glass, will be running on The Pigeonhole from the 18th of March 2020. You can sign up free through this link, but be quick! There are only so many slots available.
You might recall that The Pigeonhole serialised Ten Little Astronauts shortly before the book launched. That was a really interesting few days, and if you didn’t grab a slot that time, I highly recommend giving it a go for Face of Glass. It isn’t just an opportunity to read the book for free: you’ll have the option to leave comments in the margin, and I’ll be following along myself to answer any questions.
Because there’s a community coming together to read the book all at the same time – which will be released in eight staves, one each day – the whole thing is a bit of an event. If that’s not your cup of tea, you can just enjoy the book and never open up the comments. But if you fancy getting involved and/or seeing other readers’ takes on the story as it unfolds, it’s well worth getting a slot even if you’ve read Face of Glass already.
Finally, regardless of whether or not you plan to sign up for a slot yourself, if you’d care to share this news around then you’d really be doing me a favour. I’m just one guy – I don’t have some big publicity department to help me out – and with events like this especially it can be a challenge to get the word out before it’s come and gone. It would be great to see as many people as possible all making a start on Face of Glass when the first stave goes out on March 18th!
Sara L. Uckleman has posted a review of Ten Little Astronauts over on SFF Reviews, and amazingly that’s a review of the book as a whole rather than just the main novella! For those who aren’t familiar with it, Ten Little Astronauts (the book) actually includes three separate pieces of writing, each of which gets its own post on the site:
The second of these sometimes get passed over (particularly by ebook readers, who don’t have physical pages offering a clue as to the extra content in the book). That’s a shame, because Six Years Stolen – a tech noir crime thriller that’s been described as “Blade Runner meets Phone Booth” – seems to have been a real hit with pretty much everyone who’s found it so far!
If you’re looking for more short fiction, by the way, you really should check out some more posts on SFF Reviews. The site originally came to my attention through a review of every single story included in Jessica Augustsson’s Myths, Monsters, Mutations: it’s rare to see both that kind of focus on short fiction specifically, and such a dedication to it!
Ten Little Astronauts was released one year ago today! I’ve got a post about that over on the publisher’s website, and don’t want to repeat too much of that over here, but I think it’s worth just saying – once again – thanks to everybody who helped get the book to where it is today. The book has had a great response and is incredibly close to 100 ratings over on Goodreads: it could well be the first of my works to reach that milestone!
Up until now I’ve tried to post updates about book events and whatnot on Unbound directly as well as over here, but the further Ten Little Astronauts‘ initial launch fades into the past, the more important it becomes to have some other way of reaching people. With that in mind, I’m going to do my best to put out regular newsletters from 2020 onwards.
If you haven’t already heard about them (and it’s not something I’ve ever put a huge amount of effort into promoting), my newsletters are a summary of everything I’ve done in the previous month, sent out (ideally) once a month. You can also subscribe to notifications whenever I release a new work, though in practice I don’t tend to send those out as it usually coincides with a regular newsletter: there’s not a lot of sense sending two emails. I’ve neglected to send one the last few months, but if anybody is reading this and thinking “Hey, I would like to keep up with this sort of thing (but don’t want to have to sift through loads of social media notifications)!” then please do sign up: having a few more people on the list would do wonders keeping me motivated to send them out!
Unbound has opened up a special Christmas Shop of books and bundles that would make good festive gifts, and Ten Little Astronauts is among them! This bundle would be perfect for anybody you know who loves sci-fi so much they’d definitely get through more than one book before New Year.
This is currently the second most ordered bundle, which I realise isn’t saying much as the shop has only just opened and most have yet to see any orders at all, but still seems like a pretty promising start. Most books have an RRP of around £10, so four for £25.99 is a bit of a bargain. Also, if you order before the 17th of December (from within the UK) the bundle should arrive in time for Christmas.
Even if you’re not shopping for sci-fi, do check out the full selection of books and bundles: there’s quite a range on offer!
Since Girth Loinhammer’s Most Exponential Adventure will be returning to EGX next week, I thought it was about time I uploaded the audio from its appearance at EGX Rezzed back in April.
If you’d like to catch Exponential Adventure at the main EGX event, it’ll be running from 13:00 to 13:45 on Friday the 18th of November. Even if you’re not there in person, the Fringe Theatre schedule suggests that you should be able to catch it streaming live on the official EGX YouTube channel, so you can still enjoy my live interactive* theatre thingy from the comfort of your own home!
*Unfortunately you can’t actually interact with it over the internet.** You’ll only be able to have a hand in the story if you’re there in the ExCeL centre.
**I guess technically you could still yell at your computer screen, but I won’t be able to hear you. Also, you’ll probably get some funny looks from anyone who can hear you. Especially if you’re in a library.
If you missed my live reading of Girth Loinhammer’s Most Exponential Adventure at EGX Rezzed this year, then good news! You’ve got another chance to catch it. I’ll be performing at the EGX Fringe Theatre at 1pm on Friday the 18th of September!
This will all be happening at ExCeL in London, and it’s my first time there. In all honesty I’m a little disappointed to see EGX move away from Birmingham, but I’m also incredibly happy to get a chance to take my work to the “big” EGX. I think it went well last time (which I assume is why they’re letting me do it all again), and if you did manage to catch it back in April then you’ll be happy to know that the odds of hearing any of the same storylines again are more than a hundred to one.
If you don’t already have a ticket for EGX, you should know that they’re now running a little low. Early entry day tickets are already gone, but you can still catch my panel with a standard Friday ticket. There are also a limited number of Super Passes left, which will get you in early all four days. If you can stick around for the whole thing, I highly recommend it: if the London version of this event is anything like the Birmingham one, there’ll be way too much to see than you have time for while it’s running, let alone in just one day.
Finally, if you’d like to come along but can’t shell out for a ticket, you might like to know that Tranzfuser is looking for abmassadors (but be quick – applications close at 5pm on the 15th of September). Not only will you get free entry, they’ll pay you £70 per day to run their stand. I don’t know for sure that you’d be able to duck out and catch Exponential Adventure, but I figure there’s at least a possibility you could make that your lunch break or something. Regardless, it sounds like a great opportunity, and I’d be applying for it myself if I weren’t already attending as an exhibitor.
If you haven’t already been following my interactive fiction, this should be a really good introduction to it. Even if you have, there’s still some new stuff including plans for a sequel to Blacklight 1995. It also touches upon Ten Little Astronauts pretty heavily, so there’s something for everyone!
I’m putting together an illustrated omnibus of all my Flash Fiction Month pieces from 2012 to 2017, and I need your help! This thing will include 186 stories – 31 for each of the first six years I took part in the event – and I’d like at least a significant portion to have an image to go with them. Read on even if you’re not an artist: it matters less than you’d think!
This Google sheet lists the full selection of stories, organised by year (as well as a link to each one to refresh your memory). Produce an illustration for any of them – even if it’s just a doodle on a napkin – and I’ll consider it for inclusion in the book. I don’t promise to add in everything that’s sent, but I don’t rule it out either! Here are some tips to maximise your chances:
- The images will probably be included on their own page, which means it’s preferable for each one to be portrait (taller than it is wide).
- Colour illustrations are absolutely fine (and people reading on phones and tablets will see them in all their glory), but bear in mind the interior of the paperback will be printed in black and white. Most e-readers will show the images in greyscale too.
- Bigger is better. I can always shrink or crop a large image to fit the book, but I can’t do anything to conjure more pixels out of a smaller one!
- Scans are preferable to photographs (if you’re working on paper/canvas/whatever). Each of my #draw365 images is just hastily snapped with my smartphone, and they really suffer because of it. If you don’t have access to a scanner, this blog post offers some handy tips on how to get good photos (even on a phone).
If you’d like to submit an illustration, simply add your name and a hyperlink to the Google sheet. That’s all there is to it, but if you’d like to tell your friends too then that would really help me out a lot!
The goal here is ideally to have one illustration for each of the 186 stories in the book. I’d settle for less, and I might consider more, but that one per story seems like something to aim for. Obviously nobody’s had a chance to ask any questions yet – let alone frequently – but here’s an FAQ anyway.
An FAQ Anyway:
Q: Will I get paid for this?
Q: Will I at least get a copy of the book?
A: If I end up using your artwork, I’ll send you a free ebook! I’ll probably send one even if I don’t.
Q: Why should I send you my work for free?
A: Literally the only reason is “Because you want to.” If you don’t, then don’t. Absolutely do not consider doing this for exposure. That’s a terrible idea in general and in this particular case I can’t even promise it’ll get your work in front of a significant audience.
Q: No, seriously, is there any reason I should get involved with this thing?
A: I think it’ll be fun! If you like any of the stories I’ve produced for Flash Fiction Month, this is a chance to engage with them and create something for future readers to enjoy. If you just like drawing and want to get involved with a big project, that’s great too!
Q: What’ll happen if you get more than one illustration for the same story?
A: I’ll probably just choose my favourite and the other(s) will go unused. However, if it’s a long-ish story then I may be able to fit both in.
Q: How should I add my name and link to the spreadsheet if someone else has already illustrated that story?
A: Just stick them in the next available cells on that row. I don’t anticipate that there’ll be too much competition.
Q: What’s stopping me doing an absolutely rubbish scribble just to get a free book?
A: Nothing. Scribble away! But again, there’s no guarantee I’ll use it and therefore no guarantee of a free book. (This is the internet: I acknowledge the possibility that 5,000 people will send me a hastily scrawled dickbutt, but I’m not emailing out books for the privilege.)
Q: Can I submit more than one illustration?
A: Yes, submit as many as you like!
Q: You’ve emphasised that quality isn’t much of a concern, but I’ve got an idea for something really good! Will that look out of place?
A: I certainly hope not! I hope that people will endeavour to produce work of the highest possible quality, much as I did when producing these six years’ worth of stories. However, I realise that people may find they don’t always quite manage to achieve their own expectations, as I did when producing these six years’ worth of stories.
Q: What exactly am I letting you do with my artwork?
A: By submitting an illustration you are granting me the non-exclusive right to reproduce that image for commercial and non-commercial purposes, which is what I need to make, sell, and promote the omnibus. You maintain all the rights you would have if I weren’t using the image at all (which is actually kind of a grey area when it comes to fan art, but I’m not exactly going to sue people for drawing things I’ve invited them to draw!).
Q: I’ve already drawn fan art of one of these stories! Can I submit that?
A: Yes! I actively encourage it.
Q: I’ve already drawn something that wasn’t specifically based on one of these stories, but might as well have been. Can I submit that?
A: Yes, that’s fine too.
Q: Is there a deadline for this?
A: Not currently, though I’d like to be able to release the omnibus sometime in 2020.
If you’d like to submit an illustration (or a few!) then here’s that link to the spreadsheet again. Even if not, I hope you’ll consider sharing this around. I think it could be a neat project, and I’d like anyone who might be interested to have a chance to get involved.
There’s less than a month to go until Flash Fiction Month 2019, but I’m happy to announce that Blunderball – my anthology of flash fiction from Flash Fiction Month 2018 – is now available in classic dead tree format!
The paperback is available on Amazon UK, as well as basically any other Amazon store you’d care to look for it. You’ll find it in a bunch of other shops too, and usually somebody in Australia starts offering these things on eBay sooner or later, so basically just get one where such things are got. Continue reading
“I felt a great disturbance in the Force, as if fifty copies of a book about unicorns with chainsaws for horns had just been dumped on a doorstep somewhere in Hampshire.“
~Obi-Wan Kenobi (who is fictional, and therefore can’t sue me for making up quotes)
Yep, that’s right. This is a thing that exists now. It has been made and cannot be unmade. Continue reading